demo                                                             Tim Chaplin : demo (UK,2003)*

I read about Tim Chaplin in Dream Magazine. He was being described as "a cross between Greg Weeks and The Clientele in a lo-fi afterlife. Guitar and synthesizer paint sad watercolors in a fading afternoon light."  That made me curious. This 4 track demo revealed a singer-songwriter with an underground lo-fi feel of writing, with his almost sleepy voice a bit on the back, with acoustic guitar and electric guitars more to the fore, -a sandwich, with a neo-psych underground pop cheese slice part and a singer songwriter meat part, pressed with a salad of underground rock driven by the guitars, with a certain amount of chaotic and cloudy inspiration of really musically distorted sounding guitars with some carrots of additional percussion and a mayonnaise of backwards effects, pressed in an urban rock sandwich-. In between this woolly wall of sounds the inspiration itself is hidden, distorted and fuzzy like the guitars. A wet sweatshirt, the new fashion of pants half down to the knees, and "the wet look" (designed by the new barbers) I can imagine it all there. This unclear unwashed look forward, protective in its expression, creates this recognizable underground cellar environment to shelter yourself in. The recognizable objects that give affection, in and with sound above the guitars sounds, are things like the nice organ, and handpercussion, all very close, standing next to each other. Instead of comparing this to Greg Weeks I would prefer to mention singer-songwriters like Ring. If this mood being described suits you, go ahead and try it.
The 4 tracks on the demo were "This Road was made for the rain to come down", "try", "femme with a j", "don't know why I don't know why". These tracks will appear on other albums later.

A side project of his :



















Private                                     Luminous : demo (UK,2003)*°

Luminous is Tim Chaplin's different, other project. Here instrumental parts and experimenting with collages of ideas is the main inspiration. First track, "Little School" is a very fine little minimal experimental track with funny background vocals and equally fitting sounds, some of them slightly distorted, but as multi-layered combination of sounds and ideas "roughly poetic", in a way very funny, and highly enjoyable. A great little track ! "Spazmodik" is a underground electronic loop piece with some distorted ? sounds and additional background vocals (-my recording here seems to be recorded a bit too loud for this track on the demo CDR ?-). As an underground rock piece it really passes the test for originality with flying colours. The combination of different instruments, ideas have been compiled with a balanced portion of inspiration, including humour. For instance like the collected electronic loops of ridiculously fast rhythms touches, combined with this funny melody, some echoed effects and an additional taped voice. These create a cyber-dadaistic moment. Also last track, "Everything right" still succeeds in sounding fresh and inspired by accidental semi-unprofessional experiments,  with as result a creative and joyful highly original package of  a new or a new contemporary Pop art. These tracks  reminded me a bit of some experiments Harald "Zack" Ziegler did before, not with his ambient tracks, but the most humorous tracks with sound collage and additional toy instruments. Very promising.

Info : timchaplin@supanet.com
Bastet MagazineVA : The Golden Apples of the Sun -selected by Devendra Banhart- (US,(UK),2004)****

This is a limited CD which came with or could be ordered even without the Bastet magazine. I saw it featured some of my choices of last year, including several names unknown to me. I trusted Devendra’s choice so I went for it. And now, after having listened to it at least twice, I can say wow: finally a compilation made by someone with a FEELING for music rather than a compilation decided by a business compromising decision.
Not only the choices of names was deliberate, I’m sure even the songs must have been, for all of them have a sensitive playing of acoustic guitar or piano, and a certain richness in emotionality in the voice and voice-arrangements. In this way as a compilation this one really works fine.
It not only is a good document showing some relatively unknown talents, the CD itself also preserves repeated listening pleasure.
Vetiver was a group I saw listed amongst new releases previously. I checked some soundfiles out, wasn’t convinced enough –so many good releases saw the light lately, and I had to drop the line somewhere- but this choice with female folk singer Hope Sandoval (ex-Mazzy Star) really surely is wonderful -acoustic guitar, voices, cello-. This is followed by the creaky, slightly child-like, but expressive enough mature voice, with American accent,  Joanna Newsom, -with double melody on harp-, with a song called "Bridges and Balloons". Six Organs of Admittance was one of those names that featured and will feature more often on my webpages & radioshow (reviews on next page). This group evolved from guitar & background psych over raga-guitar psychfolk towards more song oriented music with guitar, like on this track, “Hazy SF” -previously unreleased-. The Viking Moses track is short and simple -duo male/female vocals song with guitar accompaniment-. Another very special voice is Josephine Foster, whose work I already admired with Born Heller (review on next page). This is a beautiful blues-psychfolk song with banjo, flute and double layered vocals. I heard that Locust will release some solo works of her later this year ! Look forward to hear these! Next is another group that Locust took under its wings, which is a beautiful psychfolk song of Espers (review on next page). Devendra Banhart himself managed to invite -as one of her biggest fans- no less a person than Vasthi Bunyan for a beautiful duet –a track accompanied by xylophone, flute, guitar- (which appears on his newest album). Vashti a few years ago was rediscovered by the public. She made one beautiful child-like-fragile psychfolk s/sw album (definitely worth checking out if you’re into beautiful acid/psych folk). Next is dreamy, -and previously unreleased-, song by Jana Hunter. I only know she’s from Texas- : -violin, guitar, slightly emphasized voice-. I wish I knew more about her. Next track is by Currituck Co. : a nice guitar piece coming from  “Ghost Man on First" (demo version of this album was reviewed on next page). This is followed by another fine –previously unreleased- track, by White Magic, who released an album on the Drag City label: -electrified guitars, soft drums, handpercussion, female vocals-, followed by Iron & Wine -gentle guitar/voice- with "Fever Dream". Also chosen is a sensitive song from Diane Cluck from her early album°. Matt Valentine's previously unreleased track is pretty odd : very short -1 minute- and pretty rough- (See review of his nicely arranged new album on next page). The Entrance track is soft pop with some arranged vocals and piano only. Also master guitarist Jack Rose is included, with a track from "Red Horse, White Mule". You can hear here as well how he is influenced by the Takoma tradition (Fahey, Basho,..). I heard one track before on the Locust guitar compilation (review on next page). Some solo work was re-released lately and Locust will release something else later this year, which I surely will check out later. Little Wings has another pretty short track, performed with an nice ease we can notice through all chosen tracks on this compilation. Scout Niblett is another American singer-songwriter : -calm guitar playing and much emotional variety in her voice-. Looking at her webpage she seems to maintain such a stark emotionality. In two soundfiles there, she sounded more reactive, perhaps rocking ? This track however fits again so perfectly within the smooth atmosphere troughout the whole consistent compilation. A strange submission comes from Troll : -poprock track with varied vocals sung in a undecipherable language ?- Also nice to see included is an acoustic guitar track by the theatrically rich and semi-surreal duo, Cocorosie, “Good Friday”, (see review on next page). Last track is by Antony from "Live at Saint Olaye's With Current 93", again a simple track with piano only, but with very individual & original and emotionally rich soulful singing. I have no idea who he is. Hope I can find out.*
I will repeat my conclusion : as a compilation album of emotionally rich voices and quiet acoustic playing, this is perhaps the best in its kind I heard so far. It comes of course, recommended.

More audio : Troll : "Mexicana" ; Info on this release : http://www.arthurmag.com/store/bastet_cds.php

Additional links :
Vetiver other soundfiles : "Oh Papa",  "Without A Song"  Contact group : robocoup@hotmail.com
with more soundfragments at http://ubl.artistdirect.com/store/artist/album/0,,2890559,00.html
Info on Hope Sandoval : http://www.hopesandoval.com/index.html
Vasthi Bunyan old album soundfile : "Winter is Blue" Homepage : http://www.anotherday.co.uk/
PS. Vashti also appeared in one track of the 2003 Pianomagic release
Josephine Foster (Born Heller review at next page) info (with some sounds) : http://www.100songsising.com/
Jana Hunter : My review of a demo release is next (down these links)
Joanna Newsom at http://www.walnutwhales.com/  & http://www.billions.com/artists/joannanew/index.html
Other soundfiles : "clam, crab, cockle, cowrie", en "Gallop!
Iron & Wine http://www.subpop.com/bands/ironandwine/ & http://www.subpop.com/bands/iron_and_wine/# & http://www.subpop.com/scripts/main/bands_page.php?id=403
solo release of guitarist under name of Langtry is reviewed at next page.
Diane Cluck : http://www.unicornsounds.com/diane.htm
° My review of one of her releases at http://singersong.homestead.com/newwriters-2.html
Jack Rose at http://www.locustmusic.com/jackrose.html
My review of one of latest releases at http://psychedelicfolk.homestead.com/guitar3.html
Scout Niblett : http://www.scoutniblett.com/ & http://www.bellwethermfg.com/secretlycanadian/scoutniblett/
with soundfiles at http://www.secretlycanadian.com/secretlycanadian/catalog/sc80.htm
* Later I did found out who he was. It's Anthony from Anthony & The Johnsons. Review at next page.

PS. Another good compilation of new singer-songwriters is reviewed at http://singersong.homestead.com/newwriters-2.html
Trust Me                  Currituck County : Unpacking my library (US,2002)*** (VG)

"I never left my own parental chamber except with music in my head to bring me into the world." is the feeling I have listening to this release, with a pretty much homemade feel, although this is professionally recorded in studio.
Nick Drake now is celebrated, not for his poetry and guitar style, but it became a symbol of small worlds that open up with poetry, at first dedicated to the same small world, then opening up to "the room with a view". Kevin Baker, (singer & finger picking guitarist), leader of this Currituck Co. creates this feeling (for me), with open and fresh colouring instrumentation. A nice musical compromise for the more sheltered home-recorders. "Welcome !" is written down at the back. The sound is also very accessible, friendly and with an open mood. The played instruments by Mark Greenberg, like vibraphone (banjo, harmonium,..) help very much to make the result (even) more beautiful.

Audio : "Hang Your Coat", "Antichrist
Info :  http://home.earthlink.net/~kb8000/ & http://www.trustmerecords.com/currituckco.htm
The album now is reissued on Teenbeat (2006) : http://www.teenbeatrecords.com/artists/cco.htm
2 other releases of K.C. are published at Acid Folk review page & new guitarists page
Private                                   Craig Owen : The smallest of things (demo) (US,2003)*°

The mood on this album reminded me a bit at some of the neo-pagan troubadours. Although the recording is basic, just voice and guitar, I hear 'heart' songs with a touch of some kind of spirituality. It could easily fit with the heartland festival Pagan kind of mood, or maybe better, with any new 'spiritual' group looking for new answers and 'true' expressions. There's a candle light's glowing inner vision. Such a slowly opening heart towards feelings and spirituality being expressed, this is a typical condition of a vulnerable naivety, a form which seems to be necessary in its kind, to wake up a certain purity, in the cradle of each song. Sometimes I'm annoyed by the portion of naivety being present, showing limitations in directing, then at other moments there are left open more different directions and interpretations. Mostly this is a very vulnerable choice. Some tracks fit with Christian movements. Musically I like the 'mood' in the recording much more than the few more direct clearly textual choices towards religion. At moments of only open questioning of  the fundaments, with just the opening of the heart, it comes closer to a certain essence I appreciate.

Soundfiles : "The Smallest of Things", "A Distant Shore", "Merrilynn"
Webpage : www.cdbaby.com/craigowen Contact : cowen50@yahoo.com  
PS. I had the impression the Christian singer/songwriter really hated the idea of being compared to pagans.

REVIEWS OF SOME GREG WEEKS ITEMS :

click picture to see better
Keyhole Rec.                              Greg Weeks : Bleecker Station (US,1999)****

Greg Weeks' "Bleecker Station" album I highly appreciate. The shortness of the album, the minimality of  instrumentation, the rough recording, almost like a lo fi production with spontaneous concentrated bunch of ideas of the moment the qualities are all there, like pearls, slightly dusted. Our s/sw producer thinks -although he recognize the qualities- "the naked rough recording doesn't do justice to the songs", but I personally think that even the strangest moment of the 2nd acoustic guitar playing a badly phrased and slightly out of parts "Dawn a dark corridor"doesn't spoil it for me, rather it gives a short moment of uncomfortable emotions the effect still fitting on within the lyrical content. All songs reflecting thoughts and feelings arising from a relationship gone/going sour. The first 6 songs were written and recorded over 8 days on a 4 track with the deliberate aim of cataloging impressions of a stormy relationship. Each song is related to a painting inside the booklet. The cover shows a reference to the 70's Italian progressive Saint Just album "Casa Del Lago" . Greg's interest goes beyond s/sw and folk, goes beyond the obvious and mediocre or any self-prooving styles giving his music the right touch for depth once called progressive. People liking the poetic depth of Nick Drake,mixed with the spontaneous idea explorations of new writers like Bonnie "Prince" Billie, but within a scene of what has its sensitivity in the seventies should definily try and buy this album. L.Woolfe, out s/sw producer said "As an introduction to Greg Weeks, "Bleecker Station" has melted my curiosity enough to go check out his debut cd "Fire in the arms of the Sun"." I am sure I will enjoy this album and hope to hear his other works soon too.
Greg Weeks : "Fire in the Arms of the Sun" ****'

L.Woolfe : "Many, many wonderful lines of intospection are to be found on this melancoly, stripped to the core example of the songwriters art. Quiet desperation and a stoic sense of bleak realisation of the nature of things seems to haunt this CD. Weeks delivers the songs in a breathy quiet intimate voice mainly accompanied by acoustic guitar. This stark approach means the lyrics come trough with a clear intensity that invites the listener's attention. Those with an appetite for undemontrative expressions of solitary ruminations at least. A lot of the melody lines and guitar playing are exquisite. In fact the beauty in these songs may remind some of the much revered Nick Drake in that there is a fragility at the centre of most of Weeks' songs on this CD, yet an uncomprimising strength in articulating that fragility. Check out songs like 'Shady Skies' and 'Lullabies', 'Leaves and Limerance", 'Molly Bloom', 'Trading Touch','Follow' and 'King Rides By'. There isn't a bad track on the CD. From start to finish I find it grows and grows -a classic. " 

A few links,
and some audiofiles  might be added here later
Greg Weeks' CD after that, 'Awake like Sun' I haven't reviewed yet. The combination of mellotron and instruments are a so odd combination I needed more time for it.

It seems to be very hard to get hold of the releases of Greg Weeks. Every time I ordered one it seemed to have been sold out already. Very frustrating !!  See also his side-project of Espers, his side-project with Aroah

Soundfiles : "Made", "Past Four Corners", "These Days" & sample
Webpage : www.gregweeks.net Contact : yrsecretsister@earthlink.net
Reviews at http://members.aol.com/keytapes/weekspress.html
& http://users.skynet.be/entrepot/rev/g/greg.html
& http://www.surefiredistribution.com/1009.html#WEEKS

The 'Slightly West" EP is reviewed on http://singersong.homestead.com/newwriters-2.html#anchor_140
'Blood Is Trouble' is reviewed on http://singersong.homestead.com/newsingers-6.html#anchor_268
Greg Weeks later formed with others Espers.
Reviews on http://psychedelicfolk.homestead.com/acidfolkreview5.html#anchor_73
Northe.Rec.      The Whys and hows of Herman Düne and Cerberus Shoal (F/US,2000)****

'Herman Düne' and 'Cerberus Shoal' met a few times before this release, in Geneva in 2000, in Texas in 2001. So this release was meant to be a document that would last a long time. The French band 'Herman Düne' are in fact three persons, the American 'Cerberus Shoal' are six.
This is the first in a series of semi-conceptual cooperation between like-minded artists, and musicians from anywhere in the world. 
I thought at first the cooperation was complete, but it is in fact a half and half CD.
The singing of 'Herman Düne' in the first tracks often sound somewhat American in mood, but all with a 'C.O.B.' flare. It has been accompanied in a tempered but inventive way with acoustic sound awareness arrangements. These kind of arrangements are one of the like-minded elements with Cerberus Shoal. I am also reminded, by the many inventive elements, of the Joshua release reviewed on the Acid Folk review page.
It's hardly noticeable when the tracks by Cerberus Shoal start. More harmony singing. But I notice a highly respectful interchange in mood. The last track "Bouzouki" is with an accelerating sweeping up tempo, and has a perfect experimental acoustic outro.
The listening pleasure is so complete I can hardly choose any highlight for radio use. Another possible future classic ?

Webpages : www.cerberusshoal.com and www.northeastindie.com
Contact David-Ivar Herman Düne : dihd@yahoo.com
Contact Andre Herman Düne : radicalbabon@hotmail.com
Contact for this release : neir@main.rr.com
Contact Cerberus Shoal : Cerberus_shoal@yahoo.com

Other reviews from Cerberus Shoal you can find at my acoustic mindexpanding releases review page
Tract Rec.     Rivulets / Marc Gartman (US,2004)*** / **’

I was honoured to have the one man project leader Nathan Amundson as Rivulets in our radio studios (2004-04-11), during his European tour. This was combined with the promotion of this new EP. So I also heard him singing some songs of this album, on a different occasion.
It was a shame I never heard of him before. I always liked Nick Drake like references, not the too obvious style-like wise ones, but as a reference for guitarists/singers with a deep sensibility in songs. On this album Nathan is accompanied by members of Low (their label released two albums of his too) and a couple of other musicians. The EP contains very beautiful songs, two of them were recorded (just guitar/voice) in our studio as well, like “Wind is Howling”, a somewhat water humbling evolution song.

Here I really don’t understand some deliberate? noise distortion on the CD version. I thought something was wrong with my equipment. It doesn’t make sense for such a good song ! I noticed through the radio recordings Rivulets music does not necessarily need much more than a minimal approach. There’s a gentle tenderness in them, that speaks on its own. It’s not desolate, but just quiet, peaceful introspective, with a skilful minimalism that express precisely. “Keep you from Harm” sound terrific with its extra arrangements and the second voice by Jessica Bailiff. (Audio of another track : "Happy New Year").

Marc Gartman is also connected with Low as being their documentary producer. His part of the split CD has 5 quite slightly depressed piano accompanied songs. I had to listen a couple of times to place him. His style is less directly individual, using more obvious chords and melodies, with minimal piano. Quiet, in a way it could mean depressed, lonely like empty bars, but with some romantic feelings underneath as well, perhaps somewhat more American (“The error of my ways”).
Myself I rarely listen to texts first because I let the music speaks first. This part of review I led to L.W. to add later, if he finds the time. One track, “Roswell” has piano / slide electric guitar which reminds me a bit of Pink Floyd in their middle period. The next track is a very good version, -as if its his own song-,  of “only love can break your heart” (as "Luf Kanh Brhak Ur Hrt").  (Audio of another track : "Grave Mistake").

Info : http://www.rivulets.net/ with
albums (& some MP3) : http://www.rivulets.net/discography.html#albums
and http://www.silbermedia.com/rivulets/ & http://centerstage.net/music/whoswho/rivulets.html
Review of this album : http://www.stylusmagazine.com/review.php?ID=1887
& http://www.brainwashed.com/brain/brainv07i21.html & http://www.tonevendor.com/item/11983
Other reviews : http://www.2-4-7-music.com/searches/index.asp?ArtistName=RIVULETS
http://www.opuszine.com/music/artist.html?artistID=443
Young God Rec.         Devendra Banhart : Oh me oh my...the Way the Day Goes By the Sun is
                                  Setting Dogs are Dreaming Lovesongs of the Christmas Spirit (US,2002)**°°

Incredible how much similarities there is with the old Tyranosaurus Rex sound, somewhat because of the combination voice / guitar sound with its additional handclaps and easy percussion, as in mood, as most of all with Marc Bollan's voice. This similarity is surprisingly a very modest one, possibly just coincidently similar. The mood is also that of a poor minstrel, expressing his world, vision, not so small minded, but as an individual development of expression moving towards an 'area of a genius'. Highly enjoyable. A recommended listen.
But I couldn't say much about the words or could not get very well into them, so I asked our singer-songwriters specialist Lawrence Woolfe to do a review about them. I know already he was dissaponited by the lo fi character of the first half of the recordings, but he agreed to put in some extra remarks about the release later on.
The CD has been released on LP in 2003 by the Mod Lang label. Since then also a second CD with 6 more songs has been released, called "The Black Babies".

Soundfiles : "Michigan State", "Lend Me Your Teeth", "Nice People"
Info : http://www.younggodrecords.com/Artists/DevendraBanhart/
Other reviews : http://www.dustedmagazine.com/reviews/449 & http://www.erasingclouds.com/21oct.html#3 & http://www.evilsponge.org/albums/Banhart__OhMeOhMy.htm & http://www.citypaper.com/2003-01-01/music.html
& http://www.pitchforkmedia.com/record-reviews/b/banhart_devendra/oh-me-oh-my.shtml
http://www.forcedexposure.com/artists/banhart.devendra.html
http://www.startribune.com/stories/1374/3562852.html
French review : http://perso.club-internet.fr/seccha_/chroniques/DevendraBanhart_OhMy.htm
Blue Sanct                               Static Films : Force over distance (US,2004)**°

From the same label as the second Black Forest/Black Sea comes this release that has partly some Bonnie-Prince Billie mood, but with the lyrics in the background. It starts at its worst, with a depressed dark bored voice and song, accompanied with acoustic guitar. There I had the feeling the singer is not depressed enough to be able to shut up, but also hasn't come yet to a more powerful self-expression, as a start for any kind of transformation process. The emotions are that from a child who was left alone by his mother, a state where often society will be blamed. The expressions are unclear, self-trapped, and -very fitting with this unclear perspective- the singer can't sing. Of this 10 minutes song about 9 minutes have a repetitive character. Then a more moody track follows, with harmonium and guitar, recalling a late night deserted corner with overfull dust-bins, a place where nobody sings about. But then the quality of expression opens up, and the singer finds warmth in at first a one night band, harmonica, handpercussion and trumpet, (a recovery!). From lost childhood dreams this comes to adolescence waning, with some electric guitar on the back.. Also on the next couple of tracks, the singer, with guitar, keeps his emotions under control, and becomes a bit poetic like, possibly influenced by and sounding also somewhat similar to Palace / Bonnie Prince Billie this time. The accompaniment builds up very nicely, at times slightly experimental or improvised (piano, guitar, noises, harmonica, and some cello). With such an accompanying band Static Film begins to floorish. That much so, that one track even uses a pleasant hand clap rhythm, all this with that underlying Bonnie Prince Billie mood. And another track, now clearly sung, a song full of hope, accompanied by this chamber poprock orchestra. Only the last track falls back again to the voice on the edge of (inner) boredom. Still.. rewarding..

Soundfile : "Cave pt. park"
Info : http://www.bluesanct.com/index2.html
New release 2004/2005 is reviewed on http://singersong.homestead.com/newsingers-4.html
GO TO PAGE 3 OF POOR MINSTRELS ->



Chair Kicker’s Union Inc.Rivulets : Rivulets (US,2001)***°

Debuts often give a very good idea of a compact, concentrated energy of a still unknown group/singer. Rivulets debut however is pretty straight forward, basically with guitar and voice only, often with some additional bass effects (bass, bass percussion, baritone guitar,..). There are easily similarities to be made with Greg Weeks,.. and perhaps with Nick Drake. The feeling is only more introspective, on the edge of the dream, less communicative with words, but expressive in mood creation. The time Nathan takes to sing could have been an expression of melancholy, but is in fact gentle & friendly. I listened three times to this debut but I cannot add muany more words to it. The soft hush voice keeps on refocusing my attention towards the dream. It probably takes time to awake softly, like a breeze.

3 Soundfiles : "Four Weeks", "Past Life","Barreling Towards Nowhere Like There's No Tomorrow"
Other review : http://www.rivulets.net/st_sense.html &
http://www.opuszine.com/music/review.html?reviewID=479 & http://www.ink19.com/issues/february2002/musicReviews/musicR/rivulets.html
Italian review :
http://www.sentireascoltare.com/CriticaMusicale/Recensioni/2002/Liv3_Rock/Album/rivulets.htm
& info : http://www.sentireascoltare.com/CriticaMusicale/Monografie/rivulets.htm
Spanish review : http://www.popchild.com/viewArtFile.php?id_articulo=1020
Interview in Russian : http://www.sonicplayground.gr/Interviews/Rivulets.htm
Chair Kicker’s Union Inc. Rivulets : Débridement (US,2002)****'

On this release there’s a worked out emotionality, and some more work done on guitar & textural arrangements. Also we hear some melancholy this time, expressed richly and beautifully like a movie on emotions (on “Cutter(-soundfile-) & “Bridges”). The more “pushing”-with-guitar-and-voice track, “Steamed Glass” is different, and has some extra piano arrangements. In general there’s a better production here (-just take the perfect echoed guitar on “The Sunset can be beautiful (even in Chicago)”-). On this release Rivulets is clearly treasured by the label and taken care of by some Low members, and others, who were perhaps even more careful to contribute, as if it was a lost child with a fragile talent that could use attentive care. “If it is” has got some poprock arrangement touches. Also on this release some songs will distract my mind again into the dream fazes (“There’s nothing I can do”,..). And while “Will you be there” on the other hand is somewhat back to the front -in an indiepop expression- this still remains a personal statement, without having left dreamstate thoughts. “Get out Alive” concludes the release with a murmering song, as if it was only about instrumental music being created ; this covers back up all the fragile details with a veil of “music- for-the-mood-of-it”. The release in general gives nice listening pleasure & is recommended !

Review of Debridement : http://www.opuszine.com/music/artist.html?artistID=443 & http://www.opuszine.com/music/review.html?reviewID=596 &
http://www.pitchforkmedia.com/record-reviews/r/rivulets/debridement.shtml  & http://www.almostcool.org/mr/r/r39mu.html & http://www.stylusmagazine.com/review.php?ID=880
http://www.popmatters.com/music/reviews/r/rivulets-debridement.shtml
http://www.splendidezine.com/review.html?reviewid=325701148662117
http://cwas.hinah.com/webexclusive/?id=222
http://www.rivulets.net/debridement_sadnesssky.html
French review : http://benzine.free.fr/musique/debridement.htm
Young God Rec.Devendra Banhart : Rejoicing in the hands (US,2004)****

Our singer-songwriter specialist was one of the only ones not raving about the first album. He just didn’t like that lo-fi, for him, too much accidental songwriting of the first album. Personally I think the quality and musical expressive ideas compensated enough for this. Before reviewing this album I listened back to that album, and still enjoyed it much. Brilliant moods, guitars, ideas, expressive singing sometimes on the edge of weird: all was there.
This time Devendra recorded all in a studio, so please no more complaints about that, and no confusions about deliberately mystifying someone by the lo-fi discovery-effect! The true natural feel of Devendra still convinces, his somehow unforgettable, unique voice, without a necessity to be weird. I guess everything is done for a perhaps even quite pleasant and song-driven natural flow of expression, that becomes art, rather than having put "art" as a goal on its own. Here and there a track reminds me of really very old blues, or so, -without the problems. A couple of tracks have some extra arrangements for the effect to starken the musical essence in these songs.
Conclusion : the weirdness of the first album is replaced by a matured expression. Devendra definitely proved to be worth the  stay, and I guess this attitude also will attract a bigger audience. This is no longer a production attractive only for those who love the obscure and weird, the abnormal. The home-recorders feel now is totally dissolved. So, this comes highly recommended.

Soundfiles :  "A Sight To Behold", "Poughkeepsie", "Insect Eyes", "Autumn Child"
Info on Banhart : http://www.younggodrecords.com/Artists/DevendraBanhart/
Reviews : http://www.pitchforkmedia.com/record-reviews/b/banhart_devendra/rejoicing-in-the-hands.shtml & http://www.dustedmagazine.com/reviews/1401  & http://www.adequacy.net/reviews/b/devendrabanhart.shtml & http://search.insound.com/search/showrelease.jsp?p=INS22379 &
http://www.splendidezine.com/review.html?reviewid=10800408111351772 & http://www.stylusmagazine.com/review.php?ID=1897 & http://www.junkmedia.org/?i=1028 & http://www.theprogram.net.au/reviewsSub.asp?id=1471 & http://www.magnetmagazine.com/reviews/revbanhart.html
Silber Rec. Remora, Pale Horse and Rider, Rivulets : the Alcohol EPs (US,2002)**°°'

This release had the idea of compiling songs together by three singer-songwriters who experienced excessive? Drinking, alcohol permeated inspiration, while losing control. Alcohol remains a poison and abuse tires any self-development down to a two chord hopelessness. I cannot see how alcohol could bring more inspiration other than what it leaves behind : a hope for departure on its addiction. I reviewed a couple of Rivulets releases before. New to me are Remora, usually down into more underground musical territories, and Jon DeRosa's Pale Horse and Rider from another country flavoured ? background.

REMORA. The music itself takes you somewhat down as well. With excessive alcohol you repeat yourself without realizing. The reverbs on “First Call” don’t make evolution either. The love-call to the bottle (“built”) is a boring lullaby complaint I saw drunk people perform as well, as long as they received more booze, otherwise it would be aggression, which is not performed here. This flows nicely into “Joy Division”  and “hope is gone”, droning onto the repetitive drone of oblivion, as much that the player forgets to stop repeating the same idea over and over again. An organ playing along here would have been nice. I think I hear one extra aspect of self-satisfaction with it (,which comes authomatically with alcohol).

PALE HORSE AND RIDER makes actual songs, booze songs, romantic about bar-addiction, nicely arranged with some extra instruments here and there (like “Bruises like Batches”)or with double layered vocals.

RIVULETS describes the person himself, in decomposition (“Anaconda”). Also this one keeps on lasting (for over 12 nice, but pretty similar minutes). On “Gimme Excess” voice and guitar are at the edge of failing, resembling a unique mood, experienced from a drunken state of mind, with an electric bass seemingly coming from the resonance box of the guitar ? varying in moments from almost self-indulgent and over-self-assured expression in its “state of conscious sensibility”, then becoming a bit more aggressive in playing, even overloading for a moment… cars drive by on the background.. evolving to moments of true inspiration.. until something falls down.. a worried voice heard the noise.. “Nathan ?!” which became a true reality document ! Most beautiful track of the album is “Shakes”, a track which I guess will work any time. Very sensitive. Very dark in content, but with clear and virtuous playing, something which makes its expression complete.
I had to leave this aside for a while, because in sober perspective this compilation seemed at first not to  bring any transformation, hope or growth out of the situation. Instead the alcohol EP is too much an alcohol FACT.
It’s not an album with an easy access for everyone, but it still is rewarding when listening to the real person behind the inebriate. Listening to the album from this viewpoint makes the project also more unique.

Info : http://www.silbermedia.com/comps/alcoholeps/ Different, streamed soundfile "Bruises like Batches"
Review : http://home.earthlink.net/~maxcoa/Starvox/Starvox2002/remora.html  & http://www.ink19.com/issues/september2002/musicReviews/musicR/remoraPaleHorse.html
http://www.adequacy.net/reviews/r/remora.shtml
http://www.palehorseandrider.com/alcoholreviews/
Interview with Remora : http://www.ink19.com/issues/may2003/interviews/remora.html
(demo)Jana Hunter : JH (US,rec.2004)*° (ok->g)

In 2004 I wrote : "Houston based Jana was forced by circumstances to leave her indierock ? group 'Matty and Mossy' behind. This demo shows some home-recorded material with… -what can I say.. some weird aspects, perhaps also because of the slow flood and withdrawing pulse like slower than usual rhythm, perhaps this is presented as a very individual perspective on song presentation (?). I especially like “The new sane scramble”. The recordings in general are still too rough to come out enough. The effect of the feeling behind the songs and presentation still is one from “be creative beyond your depression”, which on its own does not create the necessary balanced energy for full enjoyment through all kinds of aspects. ..."

GnomonsongJana Hunter (US,2005)**'

In 2005 I received an official release of this, on Devendra Banhart's label, reproduced and with a certain better recording quality as result, which overcomes the part of the, for me, depressing lofi sound. The music is really enjoyable, and gives an impression of a personal blues expression. There's more the idea on the soul of things than the soul is really freed to come out in full expression possibilities, but the idea itself already matters, even when there's a certain tiredness counting. The expressions and the idea of where that soul belongs fits well as a kind of feminine part of a certain range and interest of Devendra Banhart's song expressions. 

Contact : jana_hunter@hotmail.com
Article: http://www.houstonpress.com/issues/2003-02-20/mus