Fonal Rec.  Islaja : Maritie (FIN,2004)***°

Sometimes we can wonder how much psychedelic music can still be associated musically with a drug like effect, but not here. This sounds like a kaleidoscopic dream, magically unfolding its details, with a whispery voice and acoustic instruments, with a sweet kind of incantation, half-sung with the sweet voice of a girl-like woman, painting colourbook-like visions with a shamanistic energy. The first 5 compositions (like "Kristallipallosilmat" (or here) and "Kämmen, kynsi, kieli" (or here) are very loose but very colourful. Wonderful. Then the next few tracks follow patterns of minimal rhythms and melodies, like “Haikea, Kirkas” (piano, singing saw, and “Sata Naakkaa Sitten” (harpsichord, voice, tongue-clicking). Then “Masassani Nukut, Kataja” is more like a otherworldly song (guitar, plucked instrument and voice). The rest of the tracks are still somewhat inbetween a dreamworld and this reality, or at least some vague version of reality. Last track, "Aallot ja äänet" instrumental leaves me after listening with a happy dreamlike feeling. 

Info : http://www.fonal.com/album_islaja_meritie.html (from http://www.fonal.com/)
Review : http://www.dustedmagazine.com/reviews/1558
& http://digitalisindustries.com/foxyd/islaja_meritie.html       next release ->
Fonal Rec.       Kemialliset Ystävät : Lumottu Karkkipurkki (FIN,2005)*°

First we hear a combination of droney and blurry pop, with multilayered almost-nonsensical playing with some seemingly sense of combinations too, and its own evolutions as a kind of soundscape, with acoustic and amplified circular improvisations, and with field recordings as well as other snippets, all expressed and put into a puzzle which is like a kind of an undeliberate? dream vision full of images. The music is based upon an obscure childrens book of the same name. The story was about a boy with a candy bar bought from a witch. Each time the boy takes a colourful drop the surroundings change. More parts are even more based upon plucked improvisations on various instruments, which are again somewhat fragmented but perhaps also hanging together in time like a deliberate vision on plants on the ground. This is combined with song, dogs barks, noises etc., still a bit more chaotic in structure at times and coincidental in nature which is how they loose a descriptive strength. For me this is not the kind of release to say I cannot get enough of. I personally think it can be done better. Never the less sometimes the carpet becomes that scary colourful forest of the aforementioned children book.

Soundfiles : "Lumottu karkkipurkki ","Aaveet", "Metsa", "Systeemi 4"
& with review : http://www.boomkat.com/item.cfm?id=20879
Homepage : http://www.kemiallisetystavat.com/
Info on this release with some soundfiles : http://www.fonal.com/album_ky_lumottu.html
Interview on http://www.maelstrom.nu/ezine/...review 2007 release expected soon on next page->
AudiobotThe Polka Dot Sunflower Bed Orchestra (FIN,2005)***

Whenever I get an American CD in my hand it takes me at least 5 minutes to open them and to get all the glued plastic off it. This is an alternative CD and it has an alternative way of asking time from me trying to open it. Once the CD is cut loose the whole mini-LP sized package seems to fall apart while the artwork looks now completely like a throw away piece. It leaves me just trying the left over 'found object' that is the recording.
The group The Polka Dot Sunflower Bed Orchestra is completely unknown, even in Finland amongst the experimental folkies, and that’s a shame, because their way of improvising is much more psychedelic, in a sad and dreamy bedroom-quiete sense, when compared to other more known groups. It’s psychedelic in an introverted way, with a large portion of the far-out. We hear some sad harmonium & organ hypnosis, twisted and dreamy background vocals, plucked primitive picking, flutes, handbells, cymbals and tape noises, all mixed in a seaweed-like improvisational structure, like an inverted krautrock womb, with an evolution towards a being-stoned-focusing-and-stepping-towards-a-washing-machine. There are many experimental, natural switches and changes of light at the sea-bottom of its musical focus evolution.
It’s a short but really nice CDR, which comes over almost like a musical story.
Only 150 copies made, with stencilled cover.

Info : http://www.freaksendfuture.com/shop/details.php?item_id=2609
Tumult!Avarus : Ruskeatimantti (rec.2001-2003) (FIN,2005) CD1*°°/CD2***°

I thought this would be a new release, but only when I had this in my hands I notice it was a compilation of earlier more limited recordings released as limited CDR releases on Lallallal and one 7”, including the CDR I already had from them, so then I knew already what to expect for the first CD.

About this early stage of Avarus (2001) I still was a bit sceptical about the first attempts. “Posum Ekor Kait Dataran” with its two tracks and the second release “Horuksen Keskimmäisen Silman Mysteerikoulu” both have very stoned, dark, shadowy ritualistic amateur acoustic improvisations, with some drones and repetitions and interwoven layers that give it a good effect. This kind of drone-folk & experimental folk, as it is often called, I still prefer here to put in a different category, an outsider side-category of psych-folk. The music here still has not much attempt at structure, clarity or skills. It arrives at the “psych” thing, by accident, without filtering any ideas of structure. Each improvised moment it starts anew, it is always, always in this stoned context. The music itself IS borderline. All ideas are interesting enough, but never over the top, because of the little attempt to expand the accidental maximum horizon of the moment. All created sounds just work as if coincidentally improvised together, without any other starting point, but the production process of the ritual event. Dali said once about modern art that it didn’t offer anything new. It is only fragments of what happened before in art : fragmented details, and not even painted too well. This music is like such ragments, fragments that are interesting, and that are collected like a collage. They hang well together, become like a carpet, and listens like a carpet-ride, without other visions from what’s happening all around it. From this early stage of Avarus, I miss the vision to make such a concept work for any length. It is no new music or contemporary music, no psych-folk, it is not really experimental, just stoned. Still there are moments of becoming unique and hypnotic, like “Yö..”, in a sense I heard it also on their latest album.

*Audio from 'Posum Ekor Kait Dataran' (2 track cdr) : "Horuksen Vaseman...", "Horuksen Oikean...".
  Info : http://www.haamu.com/lallallal/releases/posum.html
  *Audio from 'Horuksen Keskimmäisen Silman Mysteerikoulu' (12 track cdr) :
  "Mars On Paljastanut Salaisuutensa","Feeniks-lintu Valitti Muista Enemman","Filipplinien Henkikirurgit",
  "Eno Muista Mua", "Kihara Silmapisara","Yö Tuli Ja Beduiini".
  Info : http://www.haamu.com/lallallal/releases/horuksen.html

The second CD however, compiled from three recordings between 2002-2003 takes an important step further. The group and commune feeling here began to form some more indicvidual sound because they start from more unique moments and ideas of which combinations of instruments and oscillating minimalism works best. All these recordings are taken from live recordings. “Maximum Highway lifestyle” for instance has a commune-like group hanging well together for this, with more free music, some abstract parts, partly rhythmic, with some middle eastern improvisation on the background somewhere with lots of echoed noise, then with some Can-like atmosphere with rhythm and electronics, as a great underground psych jam, which became focused and kept this energy for a while when improvising further within a certain hypnotic style. Also the last track “A-V-P” has a continuity and balanced evolution. Both of these recordings are amongst the better recordings of Avarus. Within all primitivism here the group succeeded to realize a hypnotic creation, of  and even Krautrock-like atmosphere, formed out of their limited abilities.

  * From "Luonnon Ilmiötä" (2-track 7") : "Hiiri Ja Käki Ja Karhu Löylyttelee","Sataa Nuuskaa"
  Info : http://www.boingbeing.com/
  * Info on "Maximum Highway Lifestyle" (1 track cdr) :
  http://www.haamu.com/lallallal/releases/maximum.html
  * Audio from "A-V-P" : "A.V.P" &  info on A-V-P : http://www.dlc.fi/~hhaahti/267lattajjaa/ltj-02.htm

I would have preferred if the release would have been re-released in some kind of digipack and with some of the original artwork included (like show above).

Info on this release : http://www.tumult.net/catalog/avarus.html
Other review : http://www.dustedmagazine.com/reviews/2054
& http://www.foxydigitalis.com/foxyd/avarus_rusk.html
& http://www.theunbrokencircle.co.uk/album_reviews_text_archive7.htm#Bookmark%209

New 2006 release reviewed here-->
Fonal Rec.    Islaja :  Palaa Aurinkoon (FIN,2005)***°

Islaja creates with her music a kind of minimal and colourful shadowpuppet land of theatre, which builds up like a book with collage and images. There are true, somewhat improvised songs hidden inside this world. They build up with a very minimal world of accompaniments, like spherical explorations, loose and textured, finding their own structures. This collage of sounds comes to life into recognisable shapes, finds rhythms inside them, like with harmonium, piano and handclaps. They come to life and creation as if lighting up from dusty corners, finding minimal melodies, being lesser melodic than birds, then flying up like paper planes, creating then a few droning dreams, spreading its intensions like small swimming pool bowl light for fishes, then true acoustic improvising a bit with guitar, exploring the nature of things, like in between bushes and plants, then again meditative, half singing, half spoken a kind of deeper into fairytale nature, in fact more singing to it than singing about it, as a sweet lullaby whisper on the nature of things… A great listen.

Audio : "Rohkaisulaulu","Sateen tullessa", "Larvat Saapuu", "Rohkaisulaulu", "Rukous" & www.boomkat.com..
Homepage : http://www.islaja.com/ & label info : http://www.fonal.com/... &  video here
Other reviews : http://rateyourmusic.com/view_album_details/album_id_is_292792
2007 release reviewed on next page->
       NEW ACID / PSYCH-/EXPERIMENTAL FOLK related items from FINLAND page 1 :  (page 2->)

Kemialliset Ystävät (2 releases),Islaja (2 releases), Es (2 releases), Mi and L'Au, La Sega del Canto,
V.A., Paavoharju, Avarus (3 releases), Lau Nau, The Polka Dot Sunflower Bed Orchestra, Kosmos
GO TO REVIEW PAGE 2->
Fonit Rec.       Kemialliset Ystävät : Alkuhärkä (FIN,2004)***°

This 'group' makes a psychedelic folk soundscape, completely different from all other groups who try to do the same. Here at least something is happening, all the time. No droning spinning nonsense, blurs and random chit chat, but ritualistic snips and snaps of short psychedelic mantra-like ideas, played with a large number of acoustic instruments (with some amplified guitar and a few electronic sounds and piano or keyboards) lapped wavingly together to keep the hypnosis in action, very visionary. The liner notes speak of a deep meditation by a mr. Anderzén and his dream of an action-/ people-/ spaceless world experiencing a plasmoid machine out of which erupted sounds. This music is not just abstract, or vegetative but has a varied sound of vividly multilayered momentual movements.

Soundfiles : "track 2","track 4","track 9" and (with review) : http://www.boomkat.com/item.cfm?id=20878
Homepage : http://members.vip.fi/~anderzen/
Info on this release with some soundfiles : http://www.fonal.com/album_ky_alkuharka.html
Interview : http://www.phinnweb.com/5HT/interviews/kemialliset/next album : ->
click for bigger cover scan
up
Secret Eye   Avarus : Jättiläisrotta (FIN,2004)**°' (vg->ex)

When I hear many of the so called “experimental” folk scene releases, especially in the drone folk examples, I always wonder how much these musicians can really play, and how many real focused ideas and perspectives they really have. Then I also wonder whether they only play this kind of music because there, they can hide a lack of talent for expressing disciplined and focused composition evolutions ?

I heard the first release by Avarus once on Lalalal, and it lacked also some clarity in ideas, besides it wasn’t too well recorded. With this release I think their sound has improved greatly.

Donkkaavarappaava Kaalikoira” sounds like a garage-psych kind of “experimental" acoustic music. After some softer acoustic (and electronic) meanderings, at the 5th track, “Herra Ykkönen”, they go more towards a real psychedelic tension, ritual-like, on the edge of nonsense, but with a real great effect (percussion, vocals, organ, some vocals, and other things). A similar nonsensical acoustic psychedelic edge is continued on
Amurin Hiuskolmio”, becoming free-formed, un-tuned and surreal, as a “funny-or-not ?” expression, -see the badly painted-over with chalk-paper Garfield cartoon drawings on the back cover (right)- This evolves over
Ahdistava Haisemisen Loordi”, to a darker ritual percussion and strumming on “Prinssi Halonen”, almost threatening in its tension -see the front cover (left)-, ending with some more echoes, then evolving in the last couple of tracks which are well done variations of improvisations fitting well together.

Avarus succeeds here to present a consistent release with a good portion of variations within the limitations or definition of their wanderings. This is really good if you like a combination of acoustic sound-mood experiments and a kind of very loosely inspired psychedelia.

More audio : "Iso Laakelaiva"
Info on group : http://www.secreteye.org/se/artists/avarus.html & http://zerga.deepturtle.net/avarus.html
& on release : http://www.secreteye.org/se/a13.html
Other description : http://www.tonevendor.com/item/16190
Other releases from Avarus : http://www.haamu.com/lallallal/
Review on older CDR : http://www.maelstrom.nu/ezine/review_iss14_907.php
Other review : http://terrascope.co.uk/Reviews/Reviews_March05.htm#Avarus
Fonal/KraakEs : Kaikkeuden Kauneus Ja Käsittämättömyys (FIN,2005)***

Nice to notice the Fonal label now has its distribution and co-label in Belgium. The first time when I heard this release, I never had such an impression before of music working so well as a perfect atmospheric background carpet. To know how much the music worked on its own, I needed renewed listens on good equipment at home. Stylistically this is a blend between ambient music, with some loops and record samples, some organ drones mixed with chilly background voices or mixed with experimental acoustic music, and with some songs coming through. This was recorded from over two years of concerts (2001-2003) and home recorded ideas, never really exact as vast material, but ever moving onwards, like in a stream of dreams. Guests include members from Kemialliset Ystävät and Avarus. Es himself is a member of both Kiila and Kemialliset Ystavat, and runs the Fonal record label.

Audio : "Surullisille,Onnetomille...","Pehmeä iho" (or here/here), "Sadekellot", "Sadepäivät",
"Aavehuminaa (Katjalle)","Sadepäivät" ;  Live video: http://www.fonal.com/video/esliveclip.mpg
Info : http://www.kraak.net/en/es.html & Homepage : http://www.escycle.com/
Other review : http://www.dustedmagazine.com/reviews/1525
& http://www.digitalisindustries.com/foxyd/es_kkjk.html
& http://www.secondlayer.co.uk/index/p508.htm & with audio : http://www.boomkat.com/item.cfm?id=20503
& http://www.volcanictongue.com/es.html
More reviews : http://www.fonal.com/reviewsframe.html
Dutch review : http://www.dreun.com/cd_bespr_detail.asp?ID_cd=775

Review of new late 2005 release see here ->
up
Locust MusicLau Nau : Kuutarha (FIN,2005)****

This is the first solo product from vocalist Laura Naukkarinen from Kiila, Päivänsäde and The Anaksimandros, with help from Pekko Käppi and Thomas Regan on two tracks (1 & 6), and Antti Tolvi on the four other tracks. Her multilayered vocal parts are able to create very special overtones, especially on “Kuula”. On “Jos Mimulla Olis” Himmalaya ? instruments are used in an experimental free way, very moody, while on “Kuljen halki Kuutatarhan” tampura, flutes, acoustic guitar are used more conventionally, moving slowly. Everywhere there are creations of harmonies of sounds, reinventing ethno-traditional music instruments playing (like the five-stringed kantele amongst other instruments). This is well recorded and fluctuous, inspired, colourful, with details in peaceful spaces, with free open structures, balancing on a thin wire of logical evolution, with harmony clusters and poetic expressions, and song structured. The music, compared to reading literature, is a book with the leaves spread in the order of a tree. You get a three-dimensional picture, like nature's sounds from a human soul. Where the order of this nature is mostly from a transcending level, last track sounds like an improvisation with pots and pans before a house and with a bird sound in the background, like a conclusion with a human aspect. Recommended !

Other audio tracks :
"Puuportti rautaportilta", "Johdattaja-Joleen", "Pläkkikanteletar", "Kuula" (or here), "Tulkaa","Hunnun"
Info : http://www.locustmusic.com/launau.html
Review : http://www.foxydigitalis.com/foxyd/launau_kuut.html
& http://www.theunbrokencircle.co.uk/album_reviews_text_archive7.htm#Bookmark%206
Interview : http://www.foxydigitalis.com/foxyd/launau1.html
up








Private  Kosmos : Tarinoita Voimasta (FIN,2005)****

In Finland until now, I have recognized only two distinctive approaches to “folk” styles, which are firstly traditionalists, supported by the government mostly (reviewed on next review page), and secondly the “experimental improvised mood creators”. 'Kosmos' is the first group I know of which is much more in the 70’s English & perhaps German psych-folk “tradition”. All vocals are Finnish. 
Kosmos is a sextet with a female lead singer. The music builds up a very moody, soft melancholic sphere with soft, warm dreamy songs, accompanied by piano, mellotron and guitars mostly. The instrumental “Seireeni” has more mellotron and drums. By the time of “Öisin” and the following tracks, this mood has built up to something unique, which usually is only associated with 70’s collectables. The eighth track has some progressive electric rock parts with bass and electric guitar, drums besides another part with the generally more psychfolk driven music with vocals and mellotron lead. Recommended !

Audio : "Tuhat elämää", "Seireeni", "Luuttomat", "Salaisuus" & on http://www.myspace.com/kosmosband 
Homepage : http://www.nic.fi/~ovaltone/kosmos/ ; Second, 2007 release reviewed on next page->
up
up
Fonal Rec.  Paavoharju : Yhä Hämärää (FIN,rec.2001-2005)***°

I had to listen several times to this release to get to grips with it, and each listen I enjoyed. This reminded me a bit of Pierrot Lunaire’s excursions with female voice and some opera, with fragments of other musical ideas, although here it is snippets of catchy pop melodies, and the whole mood is from a slightly dreamy vision. The way one cannot catch the completeness too well but travels along the storylines I think gives a positive continuation for repeated listening pleasure. I did some household tasks during this music and managed by dreaming away with this pretty well. Very nice !

Audio : "Valo tihkuu kaiken läpi" (or here), "Kuljin kauas" (or here),"Aamunuringon Tuntuinen","Vitivalkoinen",
"Ilmaa Virtaa'" & with review : http://www.boomkat.com/item.cfm?id=20076
More audio : http://www.secondlayer.co.uk/sounds/sound1382.htm
Homepage (with older audio) : http://www.paavoharju.com/
Label info : http://www.fonal.com/album_paavoharju_yhahamaraa.html (from http://www.fonal.com/)
up
up
Kraak/Fonal    Es : Sateenkaarisuudelma (FIN,2006,re.2007)***°

Around the same time as his previous album (see review up), Sami Sänpäkkilä, leader of Fonal records and some of its musical projects, was already working on this album. Sami in those days, back in 2006, did a ten day tour in USA with Miriam Goldberg on cello, Jeffrey Alexander on guitar and effects (= Black Forest/Black Sea), with Tara Burke on vocals and keyboards. The fruits of this cooperation can be heard on side C of the LP, or cd2. Also Laura Naukkarinen (aka Lau Nau) participated on various parts. Side D of the LP version was recorded in Boston at the WMBR radio station. Side C and D or CD2 were reworked compositions dating back to 2002, as if they evolved with the project until it was finally finished in 2005.

Much of the recording contains, with convincing effect, Terry Riley like minimalist ideas, but then built from minimum note playing of instruments (piano, keyboards or guitars), use of loops, oscillations on acoustic instruments, while having a slight cosmic effect (comparable at times to some early Klaus Schulze, without being electronic). This is rather convincing. Very nice to hear, also, is that at one point (Side C or cd2) another minimal idea (use of singing bowls, keyboards in reverb with certain eastern chords) evolves to interesting, rather contemporary classical music-like vocal arrangements, while remaining in its cosmic free minimalist world. The ideas on the last two tracks have less complex effects, a dreamy drone soundscape and an improvised outro where the piano seems to clusters a few chords or notes, with a certain automatism in time.

The album was released in 2LP format almost two years ago, and now finds its way onto a double CD with the same artwork.

Audio : "Sateenkaarisuudelma II" (or here or here), "Sateenkaarisuudelma III "(video), "Harmonia, rakkautta",
"Maailmankaari I", "Pianokaari"
More audio : http://www.juno.co.uk/products/202221-01.htm
Review with 3 audio tracks : http://www.boomkat.com/item.cfm?id=19937
Info on first LP edition : http://www.kraak.net/press/releases/KED02_es/KED02_es.pdf & http://www.kraak.net/nl/es.html & http://www.escycle.com/press_es_2lp.html (from homepage : http://www.escycle.com/)
Info on CD edition : http://www.fonal.com/shop/es_sateenkaarisuudelma_2xcd
Other reviews : http://www.stylusmagazine.com/review.php?ID=3604
& http://www.fonal.com/forum/viewtopic.php?p=57&sid=13921ea80d55197b762184e120f5b43e
...
Dutch review : http://www.kindamuzik.net/artikel/11374
Spanish review : http://calmintrees.blogspot.com/2005/12/es-sateenkaarisuudelma-kraak-2005.html
Young God Records  Mi and L'Au (FI/F,2005)****

When Mi (Finland) and L’Au (France) met they became a couple and musical duo. Their music and energy is sweet and gentle. When Devendra Banhart met he wrote “Gentle Soul” for them. Nowadays they live in Finland and music is like their baby.
The production (Michael Gira) makes the watch-the-personal-story/picture-book in the open window bedroom sphere, something timeless and universal. Various stringed and chamber music arrangements (as well as some piano, toypiano, harmonica,..), still stripped to the essence of expressions, help to give this compilation of songs a rich kind of development.
Most songs are sung bu Mi but there are duo songs too and some by L’Au.

Audio : "They Mary"(or here),"How","Philosopher", "I've been watching you","Bums"(or here),"Older", "Merry go round","Nude", "A Word in your belly"(or here), "Boxer", "Andy", "Christmas Soul", "New Born Child","Study" (or here) or http://www.emusic.com/album/10879/10879599.html
Video : here
Info : http://www.younggodrecords.com/product.asp?P_ID=40
Other reviews : http://www.popmatters.com/music/reviews/m/miandlau-st2005.shtml
& http://blogcritics.org/archives/2005/11/07/144415.php
& http://www.brainwashed.com/index.php?option=com_content&task=view&id=3928&Itemid=1
& http://wwww.drownedinsound.com/release/view/6776
& http://www.theredalert.com/reviews/mi-and-lau.htm
& http://www.econoculture.com/m/index.php?option=com_content&task=view&id=159&Itemid=36