Last Visible DogBlack Forest / Black Sea : Radiant Symmetry (US,2004)***°

After Black Forest / Black Sea’s tour in Europe, it is obvious that many unique local inspirations occurred, because the band consists of two creative spirits. I don’t doubt Jeffrey Alexander’s taste, so after he must have collected a huge amount of recordings, I trust his choice would be a good one, and it is. The earlier album, "Forcefields & Constellations” was somewhat quickly compiled before the tour, so this shows the group during the live experiences. I noticed before how another acid folk band Atman turned away from a psychedelic acid folk band into a more experimental acoustic band sound (- with The Magic Carpathians-). Also Jeffrey Alexander (who was a leading part of The Iditarod before) and Miriam Goldberg go much deeper into the abstract and free-forms. Still they seem to always keep beauty in mind, which for me is still essential, even in the strangest areas being explored. Because this element is always there and the collection is compiled well, this comes over like a soundtrack or something, with the cello and the guitar bringing free space always back to earth as well.
Almost all track have guest appearances. In the Glasgow recording it was Christoph Hladowski, Daniel Padden (Volcano the Bear/ The One Ensemble of Daniel Padden) and Alex Nielson, from the tour in Finland it was Markus Mäki, Jan Anderzén, Merja Kokkonen (from Kemialliset Ystävät –see latest release reviewed at next page-) (soundfile of that session here), In Italy, Stefano Pilia (from electro-acoustic group 3/4 Had Been Eliminated & member of rock band Settlefish) (soundfile of that session here), in Bristol, England, Nick Talbot (known as Gravenhurst) on guitar (soundfile of that session here), and on another occasion in England, Harry Sumnall (Lazily Spun review at next page), electric tamboura, harmonium and percussion, and two tracks the duo solo (Newcastle, UK ; soundfile of that session
here). A beautiful improvisational record.

Info : http://lvd.4mg.com/065.htm (from http://lvd.4mg.com/) &  http://www.secreteye.org/b/releases/
Review : http://www.digitalisindustries.com/foxyd/bfbs_radiant.html
click to go to website of the group
Dark Holler Various Artists : Hand / Eye (var,2003) CD1 ****°, CD2 ***°/****

Couldn't wait to hear this double CD, knowing that some favourite psych folk groups / musicians were on it. One CD is called "hand", with all the 'all time' beauties on it, very handily put together. The other CD is the "Eye" CD,
I thought at first listen this would be more like a bonus CD. But after a second listen it seemed more clear to me, that I had to look a bit closer to this 'Eye'. While the first CD had clear song structured tracks, this second CD was even more moody, atmospheric, a bit like an evolving soundscape trip on improvisational / experimental folk. The most clear and also very poetic tracks were compiled on the first CD, into a perfect compilation, except for one somewhat lost track near the end, which could still fit in for some reasons. The second CD could work better more as background music, fine to relax with. Once settled down I could find myself easily enjoying it. Having various groups on it with more or less similar moods this CD also evolves nicely.

Maybe it is too much to describe each track, but I'll add a few remarks on some of the tracks I heard. Peter Scion's track with second female vocals by Carita is one of the best songs I have heard from him. In Gowan Ring's and Iditarod's songs (Peter and both groups were guests on my show) are beauties, both groups are surely able to create with their music perfect mood conditions with the feeling of a unique moment. I'm also a fan of Fit & Limo, Greg Weeks, and Prydwyn. They all created similar poetic moments on the first CD. Also Stonebreath & Currituck County (who received airplay more often) succeed with their contribution. Even Ring's track hits the right spot (more than he ever did). The other tracks from the other musicians I have not mentioned, fitted well with that first CD too. Acid Mother's Temple with a bit more of a hypnotic pattern & female vocals, always improvising in a thematically inspired way, like I know them. Witch-hunt I find the only lost track here, a cloudy recorded Americana Irish folk song, possibly recorded in a bar. When choosing tracks for airplay later, I believe from this first CD I can hardly leave out any track.
Second CD has more moods, less inspired by song clarity. It sounds just fine. Only the last track, a stoned version of "Ghost Riders in the sky" by Salamander I cannot appreciate. It sounds like a sing-a-long song with everyone bored enough not to be able to sing. This double CD release is recommended. For those who don't know any of the psych folk groups I'vereviewed before, this is a perfect start. I see 2 kinds of psych folk which has got my attention lately :  the clear poetic song oriented groups, and the droning mood creators. The Hand and Eye CD reflect in fact both areas nicely divided in two separate CD's. I told you already about my raving about the first CD. I don't like the cloudy moodfolk approach so much, but for what they have recorded here (on the second CD)  I can say, that here it became really a more enjoyable listen, thanks to the many visions involved, creating much evolvement throughout the listen.

Audio :
AMPS FOR CHRIST "False Night On The Road",
GREG WEEKS "Night Must Fall",
ACID MOTHERS TEMPLE "Le Satyre"
Homepage : http://www.somedarkholler.com/

All involved groups (most of them received airplay before, or will) :
(live radioshow with Iditarod,Peter Scion, Drekka, Ring : http://psychedelicfolk.homestead.com/minstrels.html)

CD 1, HAND (in right order)

* Amps of Christ : http://www.ampsforchrist.com/
Some reviews of some of their works are added at the next review page :
http://psychedelicfolk.homestead.com/acidfolkreview3.html
* In Gowan Ring : http://www.bluesanct.com/bands/igr/main.html
(Live radioshow with In Gowan Ring : http://psychevanhetfolk.homestead.com/files/ingowanring.txt)
* Peter Scion : http://uk.geocities.com/treemusicuk/index.html (with newsletter)
remarks on his contribution : http://uk.geocities.com/treemusicuk/hand.htm
My reviews on Peter Scion's work : http://psychedelicfolk.homestead.com/poorminstrels.html
* Sarada webpage : http://xelucha.homestead.com
Soundfile of the Sarada track : http://www.cdbaby.com/mp3lofi/darkholler3-04.m3u
* Alasdair Roberts : http://www.secretlycanadian.com/secretlycanadian/alasdairroberts/
* The Iditarod : www.theiditarod.org
My review of their latest items : http://psychedelicfolk.homestead.com/acidfolkreview.html
* Stone Breath : see also http://www.cameraobscura.com.au/
I will review their latest item soon, and will add an overview of their complete work
* Greg Weeks : http://psychedelicfolk.homestead.com/poor.html
I'll add a review  of his latest item in December.
* Currituck County : my reviews at http://psychedelicfolk.homestead.com/acidfolkreview2.html &
http://psychedelicfolk.homestead.com/poor.html & http://psychedelicfolk.homestead.com/guitar.html
* Ring : http://www.krank.no/ring/
* Acid Mother Temple's website : http://www.acidmothers.com/
* Prydwyn : More info on Prydwyn (with soundfiles) at http://psychedelicfolk.homestead.com/wicca.html
With homepage : http://www.greencrown.com/gc/prydwyn.html (from www.greencrown.com)
(Green Crown I reviewed at http://psychevanhetfolk.homestead.com/WICCAREVIEW2.html)
* Fit & Limo. My webpage at http://psychedelicfolk.homestead.com/Fit_Limo.html

CD2: EYE :

* Martyn Bates : http://listen.to/martyn (He was involved with the group Eyeless In Gaza)
  & http://www.eyelessingaza.com/mb.html
* Kemialliset Ystavat : (droning folk & soundscape psych folk) : http://members.vip.fi/~anderzen/
  Latest (2004) release reviewed at http://psychedelicfolk.homestead.com/acidfolkreview5.html
* Drekka (difficult experimental folk s/sw) : http://www.bluesanct.com/bands/drekka/index2.html
* Tinsel : reviews at http://psychedelicfolk.homestead.com/poorminstrels.html
* Fursaxa : http://www.simpletone.com/pacman/artists/tara_burke/
* Diana Obscura : http://www.dianaobscura.com & http://www.cdbaby.com/cd/dianaobscura
* Dead Raven Choir : http://wolves.tamu.edu/hist.html
& http://artists.mp3s.com/artists/205/dead_raven_choir.html
http://www.midheaven.com/artists/amps.for.christ.html
Soundfile of the AoC track : http://www.cdbaby.com/mp3lofi/darkholler3-01.m3u
2003 release reviewed at http://psychedelicfolk.homestead.com/acidfolkreview5.html
* Mason Jones : http://charnel.com/mason/
(his good prog group SubArachnoid Space http://www.subarachnoid.com/ received airplay before)
* Salamander : some nice Salamander soundfile (but not from this release): http://www.sanfransicko.com/mp3/share/salamander_vessel_is_vacant.mp3
(from a Camera Obscura Records  release)
2003 release reviewed at http://psychedelicfolk.homestead.com/acidfolkreview4.html
Info on this release : SpectralLight@hotmail.com
back cover
front cover
NEW PROG FOLK, ACID FOLK and FOLKROCK and  PSYCH FOLK items  REVIEW PAGE 2
-items airplayed in my radioshow PVHF-
Listed here : The Franciscan Hobbies, The Birdtree, The Skygreen Leopards,
Curritck Co., Black Forest / Black Sea (3 x), Hand / Eye compilation
demoCurrituck Co. : Sleepwalk in the garden of the Deadroom (US,2003)****

This release has an even more matured general sound, with beautiful finger-picking guitar and nicely evolving structured songs. The additional arrangements on all, but especially the first five songs (a sound collage, double bass, distorted guitar, a bar piano, ..) are all sparse and contribute perfectly as inventive additional touches. The drawing of the woman on the cover can be seen as the anima / muze inspiration, gentle, soft and romantic. I can't tell what the texts are all about, but I do like the music. The music is clear and gentle, rhythmically sweetly moving, from an undisturbed watcher and storyteller. The title-related track, "Sleepwalking" has violin and (early Floydian) piano arrangements. "Your name was not mentioned" has beautiful additional female vocals, and some harmonium, harmonica ?, cello ? arrangements. Another pastoral dreamy romantic finger-picking song, "Wisdom of the weeks", starts with additional flute and bells, then creates a more powerful still pastoral sound. It continues with a fine raga like guitar improvisation on a gentle colourful rhythm.
The last track is the song version of the "Sleepwalking" track, with a quiet unexpected but nice concluding moment of distorted guitar solo glued over in the middle of the song and fading away at the end of the song. The release is such a solid release it was almost impossible for me to leave out any tracks for airplay. Highly recommended. Amongst the most perfect releases in its kind.

Info :  http://home.earthlink.net/~kb8000/
2 other releases are published at the home minstrels review page & the new guitarists page
This demo now is released by "Track & Field".
Review : http://www.dustedmagazine.com/reviews/2064
& http://www.theunbrokencircle.co.uk/album_reviews_text_archive8.htm#Bookmark 3
Soft Abuse  The Franciscan Hobbies : Masks and Meanings (US,200?)*°

I am not so keen on acoustic "experimental" folk that makes endless tracks based upon useless patterns and tons of textured and coloured sounds, but I decided to try at least one of the Jewelled Antler releases after having read some reviews of releases on this label. Salvador Dali had the opinion about abstract painting that it was a defragmented part of what was commonly used in old art in details, in the new 'abstract art', often without reaching the same level of techniques from before. We can wonder if something similar can be said about abstract painting in sounds, even when guitar picking is one of the elements. I often says that when a human level is reached, like with the integration of the voice, and the recognisable tale, the music is uplifted in all its sound ideas. However when starting from a tale itself translated in a recognisable pop song structure, music itself could have been forgotten in its productive process, and musicality can be extremely limited where the continuation of ideas is more about the effect than any contributing creativity in moods, ideas, feelings, etc. Purely ever moving textures on the other hand, as performed here on the first 4 tracks, at the same time could hide musicians with limited techniques and ideas, but with simple means and sounds we can make something beautiful as well. But is there enough invention in sound itself ? How much is really derived from a "sound invention". How much music does not become another habitual passing moment, not even with that feeling of a unique moment in sound ? The variations of these compilated sounds can be endless, all without being really anywhere, at moments a  relatively fine mood recalling forgotten puppet's houses, with a constant feeling of emptiness with no approach to human contact. I like most the track "Plough drawn by toads" because of a certain tension in it, making the track work more vibrantly organic. But it still does not happen enough to give it a pure individual power of its own. The next track repeats the sparse ideas of the earlier track in an endless and boring way. And also the closing track falls asleep in its own minimalism. A special notice I want to give to the beautiful artwork, booklet & (interesting) pictures. Are there meanings behind the masks ?

Soundfile : "A Preordained Sequence" Info : jewelledantler@hotmail.com
Label entry (with other review) : http://www.tinydrawings.org/softabuse/catalog.html
Original label (with a lot of releases with similar experimental folk drones):
http://www.3acrefloor.com/jewelled-antler.htm & http://www.jewelledantler.com/
Other review : http://www.tonevendor.com/item/8633
& http://allmusic.com/cg/amg.dll?p=amg&uid=UIDMISS70406262342381344&sql=Aar2zef5k3gf6
& http://www.splendidezine.com/review.html?reviewid=1064694915241478
Last Visible DogThe Birdtree : Orchards & Caravans (US,2003)*** 

This is the second time I try a release which originates from the Jewelled Antler CDR label. I checked this out because Nathan from Rivulets recommended it to me. This is basically a one man project led by Glenn Donaldson. If I’m correct he’s the brain behind the original label. Most releases of the J.A. label are supposed to be drone-like folk. This release must have been a bit more straight forward, with clearer lines and structures and acoustic guitar fingerpicking leads, and song variation, with here and there some textured natural sounds. Like probable more releases of the label, you have the impression of a continuum atmosphere. But here the alternated acoustic & song leads show even more, a slightly awakened world, -still only somewhat vaguely descriptive-, much more colourful as the usual carpet-like drone folk. As “background-music” this is much more alive than to be just wallpaper-music. Perhaps the back-cover of the CD describes the mood creation of the music somewhat. All tracks fit well with each other and give a perfect listen, when for instance working on something else. “Everyone of us a new leaf” attracted my attention a bit more, as a captivating dream-along Psychfolkpop song. Nice !

More soundfiles : "Red Midnight Raven", "Animals Of The Summit", "Raven Returns / The Uppermost Forest"
Label description : http://lvd.4mg.com/041.htm (from http://lvd.4mg.com/)
Review : http://www.fakejazz.com/reviews/2003/birdtree.shtml
http://www.digitalisindustries.com/foxyd/birdtree_orchards.html
http://www.silbermedia.com/qrd/archives/24musicreviews.html
http://white-rose.net/earpeace13.html#birdtree
http://www.pitchforkmedia.com/record-reviews/b/birdtree/orchards-and-caravans.shtml
Spanish review : http://www.muzikalia.com/leerdisco.php?referencia=797
Original label http://www.jewelledantler.com/
More on Jewelled Antler : http://www.digitalisindustries.com/foxyd/ja1.html
Secret Eye     Black Forest / Black Sea (US,2003)**

This is a side project of Jeffrey from The Iditarod with Miriam Golberg. It fits perfectly on the Hand/Eye label's interests. Miriam Goldberg plays cello, ring modulator, pitch-shifter, omnichord and sings occasionaly. Jeffrey Alexander plays acoustic guitar, electronics, strumstick, omnichord, and sings as well. I also heard a musical saw at one track, and what seemed to be a banjo on another one. The style is somewhat dark, minimal, moody, acid and a bit experimental neo chamber folk. We hear an improvisation of moods, mostly with cello & electric or electrified guitar with some added layered second cello, some electronic noises, and other textures, in a very relaxed and laid down mode. Fine music to listen too. I also heard some live recordings, which were darker.

Info : http://www.blackforestblacksea.com & http://www.secreteye.org/bfbs/
Sound fragments : "Blackbird On Gray Sky", "Banjo Song", "Sevastopol"
Other reviews : http://www.pitchforkmedia.com/record-reviews/b/black-forest-black-sea/black-forest-black-sea.shtml & http://www.lvd.4mg.com/049.htm & http://www.splendidezine.com/review.html?reviewid=1070970285174622
Blue SanctBlack Forest / Black Sea : Forcefields and constellations (US,2004)**°

The second release by this group uses different aspects of their earlier approach. The group leaves the acid folk playing area more behind, and find themselves in the different musings of experimenting in a soundscape-like way. The closely blending sounds during improvisations (with guitar, organ, amplifiers, and some cello..) drift through calm approaches to some creative balance. While here the music has its abstract aspect, the human touch is always nearby, though minimilized. Various live recordings are used for this, and two music samples (by Kemialliset Ystävät and Fursaxa). Melodically there's often no direction except, -close to the cutting fluxus in time intervals directed by the sound blend-, when the melody confines itself to the ruling sound creations with it. Here and there Miriam's voice participates, pale like a coloured cloud. I thought at first, comparing this with the first BF/BS release that this experimental approach was an improvement, but it seemed in general the group found time to develop some more comfort in what they are doing. "Hung Far Lowish", and "Tangent Universe" are again acid folk related, the first one more improvisational, with cello and guitar, first acoustic, then electric, the other track is a beautiful song. Another recording in between, "Nylon" is an acoustic guitar instrumental, while "the last night in troy" is more avant garde -electric experimental underground-, sounding as if 4/5 people are "freaking out still in a tempered way on this experimental feeling. This is concluded with another semi-acoustic soundtrack. A consistent and pleasant release.

Other soundfiles : "Fish No Fish", "I'm in love...", "These Things"
Info : http://www.bluesanct.com/cats/catalogue/descriptions/inri076.html & http://www.secreteye.org/bfbs/
Band pictures : http://www.cs.brown.edu/~mag/bfbs/pictures.html
Other review : http://www.fakejazz.com/reviews/2004/blackforest2.shtml
GO TO
REVIEW PAGE 3 --->



or go back to
the index page of psych / acid folk
or go back to
general index webpage

Soft AbuseThe Skygreen Leopards : One thousand Bird ceremony (rec.2004,re.2004)***

With the often stoned, and sometimes blurry inspiration and voice I have no other choice than to describe this music as psychedelic folk with some fading-away-into-nothingness, or music with an inside-the-bubble folkpop orientation.
It is another project by the Jewelled Antler leading figure Glenn Donaldson (see The Franciscan Hobbies, and
The Birdtree reviews on this page), and Donovan Quinn (Verdure : see review at next page ). Nothing comes out very straight forward towards you. All moods are just nice and descriptive in a more ethereal way, in a down-to-the and a wonder-for-the-invisible-fairy-world kind of way. Lots of acoustic instruments are being used. This jingle-jangle shimmering, reflects some neo-60’s aspects, like Incredible String Band seen as from a dream-world, or in a half-asleep state. On a few songs the voice of the Verdure singer leads. His voice, -which reminded me on his release of Green On Red’s singer and their early releases- creates moods of its own, in a slightly melancholic way. Together with the always dreamy voice of Glenn their voices combine perfectly and beautifully. They are almost musically organic. When Donovan leads, the music comes further than from a dreamy state into a cosy atmosphere. The release is the best thing I've heard from Glenn Donaldson so far.

Audiofiles : "The heron (a dream of waters, pt. 2)", "Summer Alchemy", "Walk With The Golden Cross"
Label entry : http://www.tinydrawings.org/softabuse/catalog.html ; Info : jewelledantler@hotmail.com
Review : http://www.fakejazz.com/reviews/2004/skygreenleopards.shtml
& http://www.pitchforkmedia.com/record-reviews/s/skygreen-leopards/one-thousand-bird-ceremony.shtml
& http://www.digitalisindustries.com/foxyd/sgls_bird.html & http://www.splendidezine.com/review.html?reviewid=108124686242343
& http://www.midheaven.com/artists/skygreen.leopards.html
Interview with Glen : http://www.digitalisindustries.com/foxyd/ja2.html 
& http://www.digitalisindustries.com/foxyd/ja2.html  
Other albums & new reissue of this album see next page->

all links updated 2004-6-28

Review of "The Whys and hows of Herman Düne and Cerberus Shoal" (F/US,2000)****, a release with some similarities in mood with the Joshua release on this page is published at the Poor Minstrels review page 

PS. A review of Giles,Giles & Fripp, a Judy Dyble related item (half of it sounds somewhat like Sallyangie) you can find at the Progressive music review page.

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the Soft Abuse releasethe Cosmos Recordings reissue