privateGoldoolins : Songs of the Turly Crio (IS,2005)***°/****

A great thing for acid folk lovers about this second album is that the style of the group has a stronger consistent focus on an acoustic fundament, with the same Trader Horne/Sallyangie association as before and beyond. All songs but one are sung in English. The arrangements are wonderful, and the vocal harmonies have a love driven happiness, even in the lament styles. The few brass instrument arrangements, much more than the previous album, are better adapted into a folk / perhaps slight old music flavour. A bit different is the humorous blues song, “Country Traveller”, still with the stringed instruments playing like troubadours having lost their time perspective and making fun of it. And “Dusty”, equally fine, is more like an on the road songwriter expression. A great album with integrity, which will surely appeal to those liking the fundamental 70’s more than the periods with different interests after this.

Audio : "Pretender's lament", "Bed of wood", "Fantasies", "Find her", "(Till then it's just) You and me in this world", "Sheva shanim (Seven years)", "The man he killed", "Country traveler", "Dusty", "Song for Dodo"
or http://www.towerrecords.com/product.aspx?pfid=3339446
& http://www.israel-music.com/goldoolins/songs_of_the_turly_crio/
Info : http://www.goldoolins.com & http://www.cdbaby.com/cd/goldoolins2
Other reviews : http://www.goldoolins.com/press.htm & http://www.maelstrom.nu/ezine/...
& http://urbanpollution.com/music/goldoolins/works/songs_of_the_turly_crio      next album:->
Fat Cat Rec.            Animal Collective : Feels (US,2005)**°°

In a more constant rhythmic mode than the earlier release we have here at first a bunch of songs, four in total, with rhythmic swimming pool-like fun enjoyment, with harmonised vocals which are slightly T-Rex like vocally with additional harmony arrangements. These vocals can be choir like, like children on a different level of enjoying themselves when the teacher in the class has his/her own degree of flipping. They also sometimes scream like crows like a percussive element. Here the music is like a collective train riding through a colour book landscape with all attention paid to the train energy, and keeping it song orientated in expression, with some speediness, just for fun, as a pretty enjoyable focused fantasy of music. Then the music calms down, with its own descriptiveness, and with more stagnant moods, which have throughout the following tracks some evolution in their own musical-creative process. Last track, “Turn Into Something”, is more rhythmical again and compromises both inspirations, resulting in a blurry ambient expression. The album is enjoyable, but some of the accidental built up elements are to some agree not equally convincing. The fun of the early tracks and spherical creativity elsewhere are somewhat contradictory, and gives it a less focused descriptiveness as the album could have had, if it was inspired less accidentally and more constructive intuition.

The songs had contributions from violinist and producer/arranger-master Eyvind Kang (Mr. Bungle / Sun City Girls / Arto Lindsay / Laurie Anderson / John Zorn / Secret Chiefs 3), and Kristín Anna Valtysdóttir (Múm / Storsveit Nix Noltes), who plays piano throughout.

Info with 5 audio tracks : http://fat-cat.co.uk/fatcat/release.php?id=172
Review with 3 audio tracks : http://www.boomkat.com/item.cfm?id=18317
Other review : http://www.monochrom.at/cracked/reviews/Rev%20animalcoll3.htm
& http://www.noripcord.com/reviews/A/animalcollectivealbum2.html
& http://www.speakerspushtheair.com/articles/articles_more.php?id=328_0_3_0_M

Previous Animal Collective albums : http://psychedelicfolk.homestead.com/expanding.html#anchor_52
Fat Cat Rec.          Vashti Bunyan : Lookaftering (UK,2005)****'

It hardly happens that a singer with a kind of unique flavour of a kind of vulnerable-sensitive purity in voice/songs/music after 35 years of silence has all these qualities intact on a new album. After her reissue of her ’69 album, recorded with some Incredible String Band and Fairport Convention members a renewed interest let her to record a track with Piano Magic, with The Cocteau TwinsSimon Raymonde, with Devendra Banhart, and to a cooperation with Animal Collective on the ‘Prospect Hummer’ EP (review up). After increased encouragement it made her to write a collection of new songs which are included here. Contributions include appearances from Devendra Banhart, Joanna Newsom (harp), Adem, Adam Pierce (Mice Parade), Robert Kirby, Otto Hauser and Kevin Barker (Espers / Currituck County), -many of which have their own acid folk related releases with, of course their own reviews on various of my webpages- . I’m convinced that these are the correct people able to understand and respect her essence well, so they succeed to finish the product with perfectionism and a wonderful balance to give all songs a beautiful, intimate, freshly clear, and pure/honest expression and shape. Highly recommended and a great contribution with the shape of a pearl amongst the new dawn of all new acid folk releases.

Audio : "Lately", "Wayward","Feet on clay"(or here),"Wayward Hum"
Homepage Vashti Bunyan : http://www.anotherday.co.uk/
Info on Vashti Bunyan : http://fat-cat.co.uk/fatcat/artistInfo.php?id=98
Info with audio of 6 tracks : http://fat-cat.co.uk/fatcat/release.php?id=173
Other reviews : http://www.guardian.co.uk/arts/features/story/0,11710,1569966,00.html &
& http://www.monochrom.at/cracked/reviews/Rev%20bunyan.htm
& http://www.angryape.com/news/2005/08/vashti-bunyan-lookaftering
& http://www.midheaven.com/artists/bunyan.vashti.html
& http://www.noripcord.com/reviews/B/vashtibunyanalbum.html
& http://www.whisperinandhollerin.com/reviews/review.asp?id=2888
French review : http://www.autresdirections.net/article.php3?id_article=675
& http://www.benzinemag.net/musique/Lookaftering.htm
Article : http://observer.guardian.co.uk/omm/story/0,13887,1569749,00.html
NEW ACID FOLK related items REVIEW PAGE 11

Listed on this page :  Goldoolins (4 x), Hamilton Yarns (2 x)
Animal Collective, Animal Collective & Vashti Bunyan, Vasthi Bunyan, Piano Magic


Go to next review page -->
or go back to psych-folk index
or go back to general index




Fat Cat Rec.Animal Collective (featuring Vashti Bunyan: Prospect Hummer (US,2005)****

Strange how suddenly, after all these years, the ball keeps on rolling for Vashti Bunyan. First the bootleg reissue of her album, then the rediscovery of her resulting in an official reissue, followed by appearances on a recording of Pianomagic, with Devendra Banhart and who knows who else, and now here. It’s that kind of child-friendly purity in her voice, which even is intact nowadays, which is so attractive. The 4 songs are very intuitive and need repeated listens before one know what really is happening. Many times I started to dream away with the first song, “It's You”, with it’s harp strings strums and lush vocals. With funny and gentle "wowo" en "wawawa" backing vocals and acoustic guitars, sparse drumming and percussion, the next track “Prospect hummer” is a more clear song. It’s a perfect blend of a recognisable Animal Collectstyle ive which seems to be amazed by, transformed, and hazed from delicate inspiration with a noticeable silent respect for Vasthi Bunya’s song frame. “Balect Sample” is an instrumental mixed intermezzo which takes elements of echoed layers of strummed guitar repetitions with some nice odd background sound loop sample (as a breath of wind from an old squeezy toy). Last track, “I Remember learning how to drive” is another nice song with multilayered vocals lead by Vashti Bunyan. It has acoustic guitar and some naturally looped click percussion. A short but really nice album !

Info with audio of 3 tracks : http://fat-cat.co.uk/fatcat/release.php?id=163
Review with 3 audio tracks : http://www.boomkat.com/item.cfm?id=17222
Other reviews : http://www.pitchforkmedia.com/record-reviews/a/animal-collective/prospect-hummer.shtml
& http://www.dustedmagazine.com/reviews/2141
& http://popmatters.com/music/reviews/a/animalcollective-prospect.shtml
& http://www.almostcool.org/mr/a/a86mu.html
& http://www.theunbrokencircle.co.uk/album_reviews_text_archive8.htm#Bookmark 9
& http://www.tinymixtapes.com/musicreviews/a/animal_collective.htm
& http://www.cokemachineglow.com/reviews/animal_hummer2005.html
& http://www.30music.com/rev.php?rev=1268&mode=
Homepage Vashti Bunyan : http://www.anotherday.co.uk/
Audio of Vasthi Bunyan's release from 1970 : "Diamond Day"(or here), "Glow Worms", "Where I Like To Stand"
Other Animal Collective album see below ->
The Ramases III, The Juniper Meadows, Wooden Spoon reviews moved to the next review page -->
The Darkwood review moved to next review page -->
Earsay Rec.Goldoolins (IS,2004)***°

While E.T. Doolin and O.D. Goldbart were before in a rather progressive band called "Lord Flimnap" they were forced to stop developing their band further after one good album, for a 3 year army duty service. When this was over they started touring in folk clubs as "The Big Boys”. Later as a trio they combined their names to Goldoolins. Classicaly trained in earlier music styles, Tadlik N. Doolin joined. All three members have an equally strong influence.
The group describes themselves now as “1960s California meets 16th century England meets 1970s Israel meets 1930s Louisiana...". This is a slightly confusing combination.
Some of the first songs on the album are in a happy “psychfolk” style (Trader Horne, Sallyangie). Almost all songs have a stimulating captivating happy energy, with a summer feeling, except for “I’m doing something” which is bit more bluesy. “I know you’re not alone” is most different compared to the rest. It is a song with soul, mainstream rock, and brass arrangements. “Fain would I wed” has a old music flavour and singing. A few more songs have a late 60’s, early 70’s softrock feeling, which is as nice as the earlier acoustic tracks. Most songs are sung in English. A wonderful album which should have an international appeal, capable of bringing something with truthful loving happiness to the existing music scene.

Audio : "Be My Friend", "Better Things" (or video clip), "Fain Would I Wed"(or video clip), "My Only Home",
"I'm Doin' Something", "I Know You're Not Alone" ,"Twilight Queen",
"Ooh Phitome Hashavti" (And Suddenly I Thought)" (or videoclip), "Man (is Light as Feather)", "Ocean Song",
"Waiting for the Rain", "Tishan Habibi (Sleep Dear Boy)".
Info : http://www.goldoolins.com & http://www.cdbaby.com/cd/goldoolins
Other reviews : http://www.goldoolins.com/press.htm and on http://www.maelstrom.nu/ezine/...next album:->
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Green Ufos            Pianomagic : Saint Marie EP (UK,2004)****

For this release Glen Johnson and Pianomagic invited Vasthi Bunyan (for the second time), Alan Sparhawk (from Low) and Ben Ayres (from Cornershop). In this somewhat genre extending release like always one can say it has a certain dreaminess. Much more than other Pianomagic releases, several tracks now are completely acoustic with beautiful acoustic guitars mostly, and harp on the last track. There’s no urge to prove anything and the music is kept as simple effective and clear as can be. The titletrack starts slowly,accompanied by calm amplified guitar with some echoes, and soft electronic rhythms, leading to “Fantasia on old English aires” with cello, keyboards, amplified guitars, bass, with a still calm and filmic mood. “Dark Ages” is a Vashti Bunyan song about the recognition of today's (?) dark ages, followed by another beautiful fingerpicking guitar track, “Lalo”. “Wrong Turn” with handclap and droning acoustic guitar by Low singer Alan has a monotone quality and dark buildt-up-tension, in the vein of an intro by Nick Cave, here meant as a moody descriptive track. The last track, “Kind Theme” is played beautifully, on harp (by Linnea Malmberg), sounding like a music box with a free folk melody.

Other review with 3 audio tracks : http://www.boomkat.com/item.cfm?id=13766
Other reviews : http://www.ab-cd.com/icbin/media/GREEN013CD.html &
http://www.pitchforkmedia.com/record-reviews/p/piano-magic/troubled-sleep-of-saint-marie.shtml
& http://www.artistdirect.com/nad/store/artist/album/0,,3013141,00.html
Italian review : http://www.indiepop.it/articoli/singles0504.htm
Homepage : http://www.piano-magic.co.uk/ & (with audio) http://profile.myspace.com/lowbirthweight

Another Piano Magic release, Open Cast Heart EP (2006) I reviewed on http://progressive.homestead.com/prog13B.html#anchor_166
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Turly Crio RecordsGoldoolins : The World is somewhere else (IS,2006)***°'

The band evolved their sound to a new form of consistency, which makes it harder to describe at first, because, except for the instrumental fun on a blues theme with a lot of alternating instruments on “Buky, where art thou?”, they evolved to a rather independent style of their own. The opener, “’nother day” has a bit more “wall” or booze in their sound than before. In other circumstances the music of Goldoolins could have been happy and romantic, sweet music, but now, there is a more powerful sweetness that is presented, darkened by the real contents of life. This is partly a kind of non traditional slightly acidic folkrock, with power in the bass, beautifully swelling harmony vocals (especially on “’nother day”), cello or double bass, and other instruments like zither, harp, kalimba, flute,.. Other tracks, especially those two led by piano, bring the songs into a kind of imaginary stage and state of theatre, with expressive vocals on “I am the grass” and both male and female vocals on the tragic “My Song”. This vocal expression can also be heard in the up tempo “One Shot”. It makes the listener aware how the texts hang together in some context. The concluding “The world is somewhere else” refers slightly to tragically ending folk stories, while the awareness works consciously on various levels. This track, driven by acoustic guitar mostly is stretched with an improvisation to over 10 minutes, with additional zither, some harmonica and double bass. Another great release, and a perfect listen. Recommended.

Audio : links will be added soon
Info : http://www.goldoolins.com & with audio : http://www.myspace.com/goldoolinstrio    next album :->
Hark!Hamilton Yarns : The Show Boat, Over -12"- (UK,2006)***°

This LP has two different sides. Side one I like especially for its really odd collage of ultra-short intuitive multi-layered short evolutions of ideas with nice sounds combinations and with lots of changes that finds its way into the bigger composition and concept, which is successfully kept together logically, by an arranger and composer and the singer and song’s vision. All the seemingly random search-and-finds shorter story parts all follow the straight rhythmic evolution lines and the music and song structures, like with the general story, while the songs themselves are like readers of that logic, with brilliantly moving changes around it. At the time when this tale is being told, the rhythms often seem to fall apart once more, breaking into new ideas, renewing attention, that like in a chaotic environment, finds and collects new brilliance ideas that appear with this falling-out-of-the-closet percussion. One by one are here collected new minimal and steady beat points, like one note dripping, one-two-three clapping and with a bit of repetition. The cornet then brings on the most moody peaceful moments, and this works like opening up curtains to more colourfully rhythmically driven improvisations. This whole concept moves thoroughly, like in a ballet, and this with more improvisation on electric piano, guitar and percussion, until it recollects, like with the birth of a firebird -or in this case, out of the dust-, the formation of a real band feeling, which had until then remained hidden somewhere, under the ashes and sounds, first in an Edward Ka-Spel manner (vocals, background band, and with additional female vocalist), and then, at the point when a percussive washing board instrument rattles like a duck… with the full band, and with harmony vocals, more sounds in a Volcano The Bear/No Neck Blues Band/ Thee Silver Mt. Zion Memorial Orchestra/.. way, in its final and most organised form. The whole evolution to this moment I found so brilliant, I still hope I will be able to airplay this whole LP-side.

The second side, is much more song based (solo and with dual vocals), while the minimal ideas (piano,..) used for the arrangements, mixed with the mood-makers (harmonica, cornet), are much more distinctive and slightly more rationally logic. The band sound also is clearer, like a pleasant acoustic chamber ensemble playing and accompanying more melodious arrangements. Some background sounds still show up, but there are only few nonsensical rhythmical sounds left.

The LP is limited to 500. I hope there will come a CD version later too.

Audio : "What if the Jokes Come True ?", "Smoke of the Wen", "Happy Gus", "Bridleway", "All the Low Notes"
Homepage : http://www.hamiltonyarns.co.uk/ & with audio : http://www.myspace.com/thehamiltonyarns
Info : http://www.strangeattractor.co.uk/shoppe/shop_yarns.html
& http://www.pondlifestudios.com/artist_information.asp?id=34
Other review : http://www.digitalisindustries.com/foxyd/reviews.php?which=1762
Review with official download & 4 audio tracks : http://www.wovenwheatwhispers.co.uk/..
Review with 3 audio tracks : http://www.boomkat.com/item.cfm?id=24338


Hark!Hamilton Yarns : Search For The Underwater Town -2cdr- (UK,2007) ??


review moved to
http://progressive.homestead.com/prog18.html#anchor_241
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Turly Crio RecordsGoldoolins : We B GD’s U B U (IS,2004-2006,pub.2008)****'

Two weeks ago, just before I heard Goldoolins new album, I listened with Bob Theil once more to the whole repertoire of Goldoolins. My impression remained that on the first album they played in a mixture of styles, on the second they showed a more consistent (psych-)folkier sound, and that the third was their most “progressive” work to date. On this album the first 13 songs are taken from the 3 first albums and the last 7 tracks were recorded for various projects and never made it onto full albums. Even when this album shows the variety from their items, all tracks hang together with a similar sense of delightfulness, with well arranged details that show a fundament of composed music with acoustic guitars, solo or post-sixties harmony vocals, additions from subtle harpsichord, a bit of cello or violin, touches of Brazil flavours in their acoustic guitar work, and bits of brass arrangements, and just once in a while a jazz-folk or once, a blues-folk influence.
To some degree you can still hear the group once was formed as an offshoot of a progressive band, Lord Flimnap, even when they’re performing in a different area now. A very good introduction to the band.

Audio on http://cdbaby.com/cd/goldoolins4
Info : http://www.goldoolins.com & with audio : http://www.myspace.com/goldoolinstrio
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