CD Land Rec.Tol Miriam : Pesni cherni (="Rabble's songs") (RU,2006) ?


review & links will be added later


Audio : track 1, track 2, track 13 & on http://www.tolmiriam.ru/tvor.php
Homepage : http://www.tolmiriam.ru/
Harp player Meldis is featured on this album : http://www.meldis-harp.ru/en/Music/Discography/index.htm
List of groups from the Archeology project 'folk rock forum' Cd  (with the Roman forum on sleeve) :

1. Orgia Pravednikov (the orgy of righteous) "Posledny voin mertvoi zemli" ("the last warrior of the dead land"). This is Sergei Kalugin (whose cd Nigreto I reviewed previously) band http://www.orgia.ru/summary_english.html. Another song of this band (number 14) can be found on  Folk rock forum volume II
2. Melnitza "Chuzhoi" ("stranger") Song from the second album.
3. Liholetie (evil year) "Veter" (the wind)
4. Vily  - "siniy vororn" ("blue raven")
5. Kalendar (calendar) - "Kormchiy" ("helmsman") http://www.kalendar.sleipnir.ru
6. Posle 11 (After 11) - "Kalina" ("snowball tree")
7. Rada - "Gde-to skazki byli" ("Somewhere fairy tales were" or "somwhere are fairy tales and true stories" play on words in russian here)
8. Tintal - "Storm" http://www.patrick.ru/main/6
9. Tol Miriam (their CD see above) "Nazvanomu bratu" ("to sworn brother") Another song of this band number 13 on Folk rock forum II http://www.tolmiriam.ru/tvor.php
10. Tilivan  - "Strely" ("Arrows") http://www.tilivan.ru/music.html
11. Troll gnet el' (Troll is bowin' the fir)  - "Konetz Oseni" ("The end of the autumn") http://www.trollge.ru/
12. Anastasia Papisova - "Net slov ot imeni" ("no words from name") http://meldis-harp.ru/
13. The dartz "Deti za rulem" ("children with steering wheel" ) Another song of this band number 16 on Folk rock forum II http://dartz.spb.ru/main.htm
demo Rada & Ternovnik : 2003 (RU,2003)**°°
chosen tracks for possible airplay : tr.2, 4, 6-7, 11

This demo was send to me to show the group’s sound as it is today, to know what to expect for eventual live concerts in countries like Belgium. In 2003 it still seemed rather difficult to get people warm for original Russian folk out of the polka ballroom context, especially when also the "folk" genre seems to be crossed widely and more so for the live concerts of Rada & Ternovnik. I thought at first Rada would still fit into a folkrock context, but this live act surely proves it doesn't.

It is even more difficult to get some group to another country, when knowing a style doesn't fit any category too well, while people prefer to have an acceptable context to organize something in. In general, also, songs in another language are obviously impossible to understand, except when they are also explored from a musical creative level, which is universal. The accompaniments on the first five tracks on this live act have more recognisable style references, with little musical invention. If, like with a group singing in a foreign language, we fall back on music alone, and then we hear a music approach which we also have heard many times before, I guess it is not enough. Thoroughly however, the music is getting more and more interesting. The first five tracks are rather emotionally driven, and drift along with a calm rock band improvisation. It sounds more matured since the 1999 'Russion Epos' album I just heard, but fundamentally, until here, is little different in the approach. On the 6th track, "Inter", however the band improvises moodyly and heavily with guitars, in an almost psychedelic way for 5 full minutes, which is nice to hear. Also the track after that, another song stretched to over 5 minutes is more progressive. I assume some of these following tracks are live versions from albums I described before on the first Russian review page, which showed also more universal creativity. From here on, the music keeps all attention vivid, there is beautiful vocal variation, and the emotions drift along with the band. The 12th track, "You shall dance" is a more bluesy improvisation, with some vocal and also electric guitar improvisation. The last track is even stretched to over 12 minutes, with plenty of place for improvising with voice and electric guitars, but without finding much more variation in that time.

According to the website live Rada is only a three piece : Rada : vocal, lyrics, acoustic guitar, vargan ; Vladimir Anchevsky :guitar, notebook ; Igor Chernykh : bass guitar.
RUSSIAN (SPEAKING) CONTEMPORARY / PROGRESSIVE FOLKROCK
PAGE 4

Melnitsa 2-3, Rada & Ternovnik 4-7, Vily, Veter Vody, (Vladiswar Nadishana), Tol Miriam,
Iva nova, V.A. : Archeology 'Folk Forum', Evelyn Petrova, (Roksana), Svitlana Nianio
(Alissid Jazz, Safety Magic, Enver Izmaylov, Pan-Asian Ensemble, Sainkho Namchylak)
CD Land Rec.             Melnitsa (=Windmill) : Pereval (RU,2005)****
chosen tracks for possible airplay : Tr.2, 3, 4, 8, 9, 11

This is the second release by this very original folkrock band with a beautiful female voice, with a powerful as well as delicate approach, of original folkrock with often chamber music arrangements, with additional flute and some duo acoustic guitar arrangements, with a certain pastoral character. Recommended.


Navigator Rec.                Melnitsa : Zo Krovi (RU,2006)****
chosen tracks for possible airplay : Tr.2, 3, 5, 7, (11)

This third and last album sounds more like a live album, and with a more straight-forward, direct and powerful energy from such a live performance. The drumming is also mixed more heavily. The arrangements are once more perfect and powerful, and there are also a few new instruments like pipes and flutes and harp, accordion, and a few additional female folkrock vocal arrangements just here and there.
PS. There are two versions of this album. (This) One has two bonus tracks and is sold a bit more expensively than the other one.

Homepage : http://www.melnitsa.net/ with discography : http://www.melnitsa.net/index.php?id=7
and audio : http://www.myspace.com/melnitsa
Russian info : http://www.nneformat.ru/forum/viewtopic.php?t=1760
Chinese downloads of Melnitsa : http://my.opera.com/hmayas/blog/index.dml/tag/Melnitsa
First album was described on first page of Russian folkrock here
GO TO NEXT REVIEW PAGE->


SvaSound Rec.Veter Vody  (=Water Wind) : Svisoplyaska (RU,2005)****'
chosen tracks for possible airplay : tr.4, (5), 6, 8-10, (11)

Melnitsa and Veter Vody have existed since 1999 while Veter Vody started as a side project of Melnitsa, but now are two seperate projects with different members. Also this group is driven mostly by a female vocalist (and a few times a baritone male vocalist in a more neo-folk style). The female vocalist arranged, on the first couple of tracks, mostly some extra layers of vocals. Acoustic guitars, flute, percussion mostly lead this at times mystic folkrock. The first and third verse of the 6th track for instance is led by spinet-like keyboards, acoustic guitar and flute, while the middle theme is more driven and dark, with slightly distorted vocals, cello, strummed guitars, and bass. The very driven 8th track which I will airplay uses electric guitar too. It flows immediately into the vocal track 9, and the flute driven 10th track, leading to some folkrock dance, that quickly and brilliantly changes into a more moody arrangement, and then switches to upbeat again. This is the way the group leads the music from one theme and sphere to the next (from medieval to folkrock, all arranged and inspired with their own original flavours).
The band is currently working on a new CD, which can be finished any time.

Homepage : http://waterwind.ru/
Audio : "track 3", "track 5", "track 8", "track 10"
or http://www.sadness.gr/users/scarytale/ancient_world_music/songs.html
Ur-Realist   Rada & Ternovnik : Genitba (RU,2005)***°
chosen tracks for possible airplay : tr.4, (7), (13)

A certain theme is repeated over the album, which are various ethno-folk styled harmony vocal arrangements and songs, I only don’t know from which tradition and origin or region, with original songs build around it, and this accompanied by amplified guitar, drum and percussion. There are also parts in their recognisable live style in optimal condition, with smooth droning electric bass, calm drumming, psychedelic electric guitars contrasting and accompanying the soprano songs. In that way the band switches from ethnofolk introductions to songs with touches of a style that has relations with (very) smooth psychedelica. The 11th track is more heavy rock guitar on folkrock. The last track embeds the ethno-folk voices in a smooth repetitive moody pattern by the band.

Alexander : "The ethno motives on Rada's "Genitba" are russian folk songs from different parts of Russia (mainly from  European parts). There appeared on the album a full ethno folk vocal ensemble "Yasny den" (Bright day). Some songs are russian folk songs, some others are composed by Rada."

Homepage : http://radislava.com/ & http://www.radislava.ru/ with audio : http://www.radislava.ru/?page=music
& with more audio : http://www.myspace.com/theblackthornband 

3 other Rada albums were listed on the first radioshow related webpage of Russian folkrock here
Sketis MusicVily (=Pitchfork) : Doch Stepei / The Steppe Daught (RU,2006)****
chosen tracks for possible airplay : tr.4, "At the Riverside" tr.5, "The Falcon"

These are original songs inspired on folk and the people living on the Steppes. It has powerful, -with an ability to become operatic at times-, female vocals, folkrock arrangements with mostly acoustic guitar, electric and acoustic double bass, folk percussion, various flutes, and violin. Most tracks are slightly upbeat folkrock, but there is a certain capability to work towards pastoral passages too. This is Vily's second album.

Label description : "the group executing folk-rock fusion, prompted and inspired by history and mythology of Great steppe in all riches of its images - from Sarmatian maidens-amazons, up to nomads Chingizhan and from Varyag campaigns up to Slavic Barrows."

Vasilisa Vedenckaya : vocal, alt ; Lubava Kondakova : acoustic gitar, MIDI-gitar ; Alex Karavaev : winds ; Mihail Korovin : bass, Kirill Rossolimo : drum,percussion ; Andrey Loma : Keyboards

Audio : "A Scythe","The Falcon"
Label entry : http://sketis-music.com/index/cats/112


private (cdr)Vily (=Pitchfork) : ??? (RU,200?)****

This album is folk-rock with some good guitars/drumming, various flute passages, and some folk violin. The vocalist is slightly operatic with an emotionally vulnerable voice. Some songs are guitar based too, but with the same folk-rock flavour.

Info on group : http://www.realmusic.ru/veely/info/
Ur-Realist Rada & Ternovnik (= Rada & the Blackthorn) : The Russian Epos (RU,1999)**'
chosen tracks for possible airplay : tr.7

This album is still far away from folkrock associations and instrumental inspirations. The band plays in a bluesy/jazzy and rock way and shows little more than stylistic improvisation, but accompanies of course well and in an enjoyable way, like smooth rock, the songs from the lead singer. Here the songs count most. For a whole album when not understanding the language it is clear for foreigners, it is not essential. I assume this is recorded live.
Ur-Realist Rada & Ternovnik : My Love My Sorrow (RU,1999)*

For this release the singer's voice is slightly distorted. The band plays mostly with slow bass movements and repetitions, with a dark indierock brooding nature, with small arrangements of electronic beats and drums. Also here is little variation, and the singing not always equally rewarding. The track "Everything returns" is with pipes and acoustic guitar, and additional beats, but also here the singing has contradictory movements and notes. Listening to the whole album was difficult, and more of a misery.
Sound Microsurgery Dep.  Vladiswar Nadishana : Takku Ta Tei (RU,2000)****'
Sound Microsurgery Dep.  Vladiswar Nadishana : Penetration into substance (RU,2000-2001)****°
Sound Microsurgery Dep.  Ayas Kholazhyk & Vladiswar Nadishana or
'Russian/Tuvinian Karma Knot' (RU,2001-2003)****'
Sound Microsurgery Dep.  Vladiswar Nadishana :
The Traditional music of Ancient Kuzhebar Aborigines (RU,2005)****°

This odd, progressive and acoustic experimental-fusing sound-Shamanism is reviewed on
http://psychevanhetfolk.homestead.com/WORLD.html#anchor_55
Soyuz Rec.  Iva Nova (RU,2003) ?

The group was formed in St.Petersburg in 2002. Iva nova is one of the more known Russian groups abroad. They are right now (2007) on a European tour (see schedule on their site). This first album was released on what is probably the most major Russian label, Soyuz Records www.soyuz.ru. They released also a second album in 2006.

review will be added later

Audio : "The Moon Has Risen", "Come What May", "The Quirly", "Poor Boy", "Countryside Corrida", "The White Half-moon", "Further Than Far", "Friday", "Springtime", "Rodopian Song"
& http://www.myspace.com/ivanovaextremegirlsfolklore
Live video : here
Info : on homepage http://www.iva-nova.ru/eng/index.htm
& http://www.morezvukov.nl/ivanova.html
Concert pictures : http://thekonst.net/en/photohunt/album/316
Interview with bass player Lena Novikova : http://www.bassgirls.com/bass_novikovaelena.htm
Review of newer release : http://www.folkworld.de/33/e/cds1.html#ivan
German article : http://www.tuxamoon.de/Tux_static/Musik/Konzertkritik/Iva_Nova.php
Dutch concert article : http://www.folkroddels.be/artikels/12704.html
Dutch descriptions : http://www.amsterdamroots.nl/index.php?id=26
Akatzia Rec.  Alissid Jazz & Nikolay Oorzhak  :  Oorjazz (RU,2007)***'
private pressing  Safety Magic :  Voices (RU,2007)****


These two World/jazz/rock albums, which both include Nikolay Oorzhak on vocals are reviewed on
http://psychevanhetfolk.homestead.com/WORLDfusion.html
Leo Records     Evelyn Petrova : Year's Cycle (RU,2004)***°°

Evelyn Petrova is the fantasist on vocals for the accordion, comparable to what Iva Bittova is for the violin. Personally, I am not such a fan of the sound of the accordion, because I think the instrument is difficult to fit close in harmony with the human voice, but miraculously, listening to this album, the pieces develop like theatre, with its abstract sense, tunes and fantasies that makes this combination work well. I’m convinced.

Audio : "December. A plot of land","June. Promenade"
Label info : http://www.leorecords.com/?m=select&id=CD_LR_395
Other review : http://www.onefinalnote.com/reviews/p/petrova-evelyn/years-cycle.asp
Enver   Enver Iznaylov : The Guitar Legend Of Crimea (UKR,rec.2006)****

This DVD of folk/jazz guitarist from Ukraine is reviewed on
http://www.psychedelicfolk.com/guitar11.html
MFP Rec.  Biosintes  :  The First Take (RU,1996)****'
Leo Records     Sainkho Namchylak : Nomad (RU-TU,2007)***''
Leo Records Sainkho Namchylak & Roy Carroll : Nomad (RU-TU/IR,2007)***''
Leo RecordsSainkho Namchylak & Jarrod Cagwin : In Trance (RU-TV/,2007)****'


reviews of this group and Tuvan voice experimenter / free jazz musician/duo/group
can be found on http://singersong.homestead.com/tuva.html
Leo Records Pan-Asian Ensemble : Live (RU/JAP,2007)***'


review of this rather Japanese sounding free music album 
can be found on http://psychevanhetfolk.homestead.com/WORLDfusion.html
Koka Rec.  Svitlana Nianio : Kytytsi (UKR,1999)****°

An item which deserves already a new, European reissue is this one which I am sure will receive more attention this time, because it's much better than most modern acid/weirdfolk releases. It is sung by a charming voice full of pastoral tenderness with accompiment of accordeon, playful analogue keyboards and acoustic string instruments, cello and little bits of percussion and sounds playful as a dreamy musical box. It has some influence from the New York minimal scene. This minimalism is used to form artwork miniatures of accompaniment. Highly recommened.

She had worked before with the band Cukor Bila Smert.

Audio : "Bez Tytulu"(or here), "W Koronie Przejrzystch Chmur", "Skad Nadejda Gescie", "Spot Kanie", "Ptek-Zewcsy", "Kukulins"
& http://www.wsm.serpent.pl/sklep/albumik.php,alb_id,154,Kytytsi,Svitlana-Nianio
& on http://www.ventricle.com/Svitlana.htm
Other review : http://www.cdroots.com/koka-025.html
Wydawnictwo 21  Roksana (UKR/POL,2005)***'

this lonely heavenly voice from a singer born in Ukraine, currently living in Poland is reviewed on http://singersong.homestead.com/MedievalDCD.html#anchor_69