Trust Me                   Currituck County : Unpacking my library (US,2002)***

"I never left my own parental chamber except with music in my head to bring me into the world." is the feeling I have listening to this release, with a pretty much homemade feel, although this is professionally recorded in studio. Nick Drake now is celebrated, not for his poetry and guitar style, but it became a symbol of small home steady worlds that open up with poetry, at first dedicated to the same small world, then opening up to "the room with a view". Kevin Baker, (singer & finger picking guitarist), leader of this Currituck Co. creates this feeling (for me), with open and fresh colouring instrumentation. A nice musical compromise for the more sheltered home-recorders. "Welcome !" is written down at the back. The sound is also very accessible, friendly and with an open mood. The played instruments by Mark Greenberg, like vibraphone (banjo, harmonium,..) help very much to make the result (even) more beautiful.

Audio : "Hang Your Coat", "Antichrist
Info :  http://home.earthlink.net/~kb8000/ & http://www.trustmerecords.com/currituckco.htm
The album now is reissued on Teenbeat (2006) : http://www.teenbeatrecords.com/artists/cco.htm
2 other releases of K.C. are published at Acid Folk review page & new guitarists page
click picture to see better
singer-songwriters/acidfolk/guitar presents
Currituck Co.

CD ('02), CD ('03), CD ('03), CD ('04/'05)
click to go to website of the group
demoCurrituck Co. : Sleepwalk in the garden of the Deadroom (US,2003)****

This release has an even more matured general sound, with beautiful finger-picking guitar and nicely evolving structured songs. The additional arrangements on all, but especially the first five songs (a sound collage, double bass, distorted guitar, a bar piano, ..) are all sparse and contribute perfectly as inventive additional touches. The drawing of the woman on the cover can be seen as the anima / muze inspiration, gentle, soft and romantic. I can't tell what the texts are all about, but I do like the music. The music is clear and gentle, rhythmically sweetly moving, from an undisturbed watcher and storyteller. The title-related track, "Sleepwalking" has violin and (early Floydian) piano arrangements. "Your name was not mentioned" has beautiful additional female vocals, and some harmonium, harmonica ?, cello ? arrangements. Another pastoral dreamy romantic finger-picking song, "Wisdom of the weeks", starts with additional flute and bells, then creates a more powerful still pastoral sound. It continues with a fine raga like guitar improvisation on a gentle colourful rhythm. The last track is the song version of the "Sleepwalking" track, with a quiet unexpected but nice concluding moment of distorted guitar solo glued over in the middle of the song and fading away at the end of the song. The release is such a solid release it was almost impossible for me to leave out any tracks for airplay. Highly recommended. Amongst the most perfect releases in its kind.

Info :  http://home.earthlink.net/~kb8000/
2 other releases are published at the home minstrels review page & the new guitarists page
This demo now is released by "Track & Field".
Review : http://www.dustedmagazine.com/reviews/2064
& http://www.theunbrokencircle.co.uk/album_reviews_text_archive8.htm#Bookmark 3
demo                   Currituck Co : Ghost man on First (US,2003)****
->Lexicon Devil

This release contains more interesting guitar playing, with references to great artists like Fred Neil and Bert Jansch, than in other releases by Currituck Co. (see also the reviews of other releases at the poor minstrels review page, & the acid folk review page). "A Raga called Nina" is more Indian flavoured raga guitar, "Requiem for John Fahey" with a skilfully fitting reference, and a nicely evolving melody in a Fahey like raga-like improvisation. "Raga called Pat Cohn" has a more repetitive and meditative droning pattern, with harmonium and voice instrument in a acoustic psych way. "Dedication : Fred Neil" has a combination of guitar styles from various early artists (Drake, Jansch, Neil,..), and is seemingly an improvisation with an evolving melody on a repetitive pattern. "Silly Woman" from Bert Jansch has received an original eastern flavour through the guitar style, singing, and perhaps an eastern instrument ?. "Bumbling through the Tropics" is a creative descriptive or narrative melody with fingerpicking guitar. After all these similar or fitting moods a strange change happens with "March of the people who do not know you", a track with very distorted effects on the sounds of electric guitars in a heavy underground Hilliebilly Psych Rock style. A track that possibly deliberately is meant to disturb people who live by expectations. In an odd way it's still musically interesting throughout all the disturbing noise it creates and the simple recognizable facts that remain. From the moment it would really annoy me it abruptly stops and continues with a bluegrass ? banjo traditional. These two tracks awake the listener. At the moment I wonder if it wouldn't have been better without them it's all over, a memory of earlier subtleness has somewhat disappeared. This makes this release more clear as being from an artist that prefers no description, boundaries, limitations. Instead it collects habitless musical ideas, a bit more instinctively and spontaneously than labelled guitarists, but with seemingly commonly interesting results.

PS. The album was released shortly after the review by Lexicon Devil. Another update : I saw that the Lexicon CD is sold out now, but it has been reissued with a different cover by Track & Field. I also found out there's also a follow-up, 'The Ghostman on Second' (2 volumes ?) published by Troubleman Unlimited (cover here).. No clue how these albums sounds like.. Update : I found the album now, as a double cd. Review see below->

Audio : http://www.juno.co.uk/products/234104-01.htm
Info :  http://home.earthlink.net/~kb8000/
& http://www.andrewbannon.net/currituckcounty/press.html
First official release (done after the review only) : http://www.myspace.com/lexdevrecords  & http://lexicondevilrecords.blogspot.com/2005/07/lexdev010.html
Other reviews : http://www.tonevendor.com/item/10577 & http://www.forcedexposure.com/artists/currituck.co.html & http://www.midheaven.com/artists/currituck.co.html & http://www.tonevendor.com/item/10577
& http://www.pitchforkmedia.com/record-reviews/c/currituck-co/ghost-man-on-first.shtml & http://gravitygirl.shafted.com.au/0504/008.html & http://sunflowerchakramilk.blogspot.com/2008/05/currituck-co-ghost-man-on-first.html & http://arts.guardian.co.uk/filmandmusic/story/0,,1836638,00.html
& http://arts.guardian.co.uk/print/0,,329544964-117421,00.html
& http://cd.ciao.co.uk/Ghostman_On_First_Currituck_Co__6579405
go back to the singer-songwriters index
or the psychedelicfolk pages
or to the guitar related pages
or go back to the general index










PS. Kevin Barker later also cooperated with Espers, Vashti Bunyan's 'Lookaftering', Bert Jansch 's 'The Black Swan'

Homepage with audio : http://www.myspace.com/currituckco
Troubleman Unlimited             Currituck Co : Ghost Man On Second -2cd- (US,rec.2004,pub.2005)**°°

Even when this double album might be a bit more demanding to some, it shows both the great foundation of talent from Kevin Barker as a guitarist/banjo player and improviser, who mostly hangs in between a stretched raga mode to a few different moody improvisational ideas with Appalachian touches. The hand percussion (Otto Hauser?) isn’t too brilliant always, while the drumming parts works perfectly. Some of it might have been inspired from the Higgins/Sandy Bull raga explorations 20 years earlier. Also the large worked out sonic drone with some guitar is really successful, but the improvisations also are stretched to the limit. A second chance to rework this album in just one album might have been more successful, but seeing the talent shown in this I won’t complain. Myself, I really enjoy it. Two small blues songs are added too, of which the first one is a sort of realistic and ironic complaint that he won’t make music that is hit sensitive, is the most successful of both. When will we hear from Currituck Co. again ? I decided to review this double album in short for an worthy extra brush of attention.

Info & audio : http://www.myspace.com/currituckco
Homepage : http://home.earthlink.net/~kb8000/frames.html
Label info : http://www.troublemanunlimited.com/releases/tmu145.html
Other reviews : http://www.citypages.com/2005-06-01/music/currituck-co-ghost-man-on-second/
& http://www.pitchforkmedia.com/article/record_review/16467-ghost-man-on-second
& http://www.dustedmagazine.com/reviews/2121
& http://www.tinymixtapes.com/Currituck-Co
& http://www.citypages.com/content/printVersion/15979
Italian review : http://www.ilpopolodelblues.com/rev/marzo07/recensione/Currituck-Co.html